The very inception of the film gives a feeling of it being ghost- directed by Rituparno Ghosh. But, the germs of it being the first film of a director under Rituparno's tutelage can be made out after one has gone through a considerable portion of the film. Excepting these discussions, what we glean from movie is a so-called aberrant sexuality which, it says, is not to be looked down upon by the fortunate heterosexuals of this world. Arati (Deepti Naval) - the mother, finding it hard to come to terms with and to switch her emotions between her son's sudden death and his homosexuality hitherto unknown to her - at first detests Ornub (Rituparno), but subsequently starts cherishing his company taking him to be her dead son's 'special' someone or her another alive son. Another relation, between Sahana (Raima Sen) and Arati, is also a very pleasant one founded on honesty and respect. Arati, during her short stay at her dead son's house, learns about certain grim truths about this world which, heretofore even her grey hair has not shown her. When she leaves, she leaves with a bagful of warm closeness she has unknowingly amassed within these few days from both Ornub and Sahana and leaves behind with them 'a bit of' herself and her dead son. The background melody and the nominal songs accentuate the situations. To draw the conclusion we can say that 'Memories in March' is a good attempt at narration, though with a profusion of Rituparnovian touches.
10 Reviews
good drama movie missed to watch before and finally it was a good Sunday movie
pari_luna4 March 2012
Warning: Spoilers
Well.. as usual Gosh baabu rocks always Bengali cinema is something to look out for in drama movies.And it just felt that even somebody like Deepti Naval ( She hails from my home town Amritsar :) felt like the bar is raised when you are working is east Indian movie setups...good film to watch and true non-fiction with conviction. characters were well written and execution was just perfect. It lacked some outdoor shoots and drama movies setup in kolkata add a perfect scene with some oldies in the back ground from city life.
Overall it was treat to watch and the storyline was catchy and dealt with the subject with justice.It is a good recommendation if you love the drama movies and especially in Indian cinema which is a somewhere over shadowed in the limelight colors of main stream cinema.
Overall it was treat to watch and the storyline was catchy and dealt with the subject with justice.It is a good recommendation if you love the drama movies and especially in Indian cinema which is a somewhere over shadowed in the limelight colors of main stream cinema.
"Memories in March " a poignant tale about accepting someone as they are
dasguptapuspak12 October 2015
Warning: Spoilers
A mother loses her only son in a car accident. She comes to Kolkata for doing his last rites. While living in his office apartment, she learns an aspect about her beloved son, his sexuality. A conservative woman who thinks being homosexual is abnormal and his son's partner Arnab, who is 10 years older than him, has seduced him. The films says how she gradually accepts the truth of his son's sexuality and the bond she creates in just few days with Arnab and Sahana.
Story is simple, but the screenplay is amazing. The film has a lyrical quality and some magical moments which stays with you. The use of background song and music adds up to it's quality. Dialogues seem like conversations and have a smooth flow in it. Deepti Naval and Rituparno had created magic on screen. I must mention few scenes I loved:- **When Arti who had been tough outside all while, but breaks down seeing the last egg in in son's apartment's refrigerator. **When Arti feels amazed that her son can fall for a bald man over a beautiful girl like Sahana **When Arnob says Arti is actually wearing his housecoat
and many more .
Story is simple, but the screenplay is amazing. The film has a lyrical quality and some magical moments which stays with you. The use of background song and music adds up to it's quality. Dialogues seem like conversations and have a smooth flow in it. Deepti Naval and Rituparno had created magic on screen. I must mention few scenes I loved:- **When Arti who had been tough outside all while, but breaks down seeing the last egg in in son's apartment's refrigerator. **When Arti feels amazed that her son can fall for a bald man over a beautiful girl like Sahana **When Arnob says Arti is actually wearing his housecoat
and many more .
.......when a mother meets her dead son's partner....
akash-g198210 August 2011
Just imagine this : One fine day, when you have gone thru the most difficult times in life and think nothing can go worse than this, you receive a call from your son's office and get the inevitable bad news : That he died in an accident at the middle of the night driving sloshed. Before one can cope up with the news, you are enlightened by yet another piece of information that he was Gay. The icing on the cake is when you are confronted with his gay lover
Tollywood's movie 'Memories in March' is an unusual story about two men in love and much more. The movie is directed by Sanjoy Nag. Rituparno Ghosh's story is simple and the screenplay is seamless. Some of the scenes are so well-written that they seem like a page out of everyday life. It is an emotional drama based on real life experiences. However, since the film deals with just a few days in the mother's life, there is nothing much to elaborate on. While Deepti Naval's character is beautifully etched, the audience never gets to see her son or know what he was like. The movie is in English with colorful splashes of Hindi and Bengali, are witty; the sarcasm used by Rituparno's character in the film is right on.
The story relates to the heart of every viewer and is made touchier by the outstanding acting by all the main artists. It shows a strong bonding which develops between a mother of a deceased man and his lover who also greatly feels the loss of his boyfriend.
Deepti Naval plays the role of Aarti Mishra who is a 50 year old divorcée and lives in Delhi. Her husband lives in the US with another woman, Claudia. Her twenty-eight years old only son works as an executive of an ad agency in Kolkata enjoying a lavish lifestyle. He dies in a car accident in Kolkata. For this reason Deepti goes to Kolkata to complete the last rituals and to get her deceased son's belongings. In her four-day stay on Kolkata, she is helped by her son's colleagues, Raima sen (as Shahana) and Rituparno Ghosh (as Arnab). There and through his friends she learns of her son's secret engagement in a gay relationship with Arnab. The information comes to her as a deadly blow as she always thought her son to be a normal man with the usual sexual attractions. She is devastated to know the naked truth and initially puts the blame of 'seducing' her son on Arnab. She finds it next to impossible to come to terms with the real story. It surprises her as to how her son could have overlooked the beauty of Shahana and be involved with bald Arnab. She laments that if only she knew of her son's such relationship earlier; she could have shown him to a psychiatrist and got him relief.
It is gradually that she learns and begins to accept that it was her son's preference to be with Arnab with no fault of his boyfriend. Along with carrying back the belongings of her son, she is overburdened to carry back with her the truth of her son's secret gay life. A bonding develops between Arnab and Deepti Naval over the common loss, she at the loss of her only son and he at the loss of his only personal partner. Deepti Naval and Rituparno Ghosh have together done a commendable acting throughout the movie, capturing the emotions of the viewers, and surely deserve applause.
GTM's have come a long way from showing just mere love stories between two men. This movie takes a different angle on the affects people go thru in coming to terms when they come to learn about their near and dear ones being gay. And finally I Quote " I will be going far away can I leave a little bit of me with you" .Memories In March .
Tollywood's movie 'Memories in March' is an unusual story about two men in love and much more. The movie is directed by Sanjoy Nag. Rituparno Ghosh's story is simple and the screenplay is seamless. Some of the scenes are so well-written that they seem like a page out of everyday life. It is an emotional drama based on real life experiences. However, since the film deals with just a few days in the mother's life, there is nothing much to elaborate on. While Deepti Naval's character is beautifully etched, the audience never gets to see her son or know what he was like. The movie is in English with colorful splashes of Hindi and Bengali, are witty; the sarcasm used by Rituparno's character in the film is right on.
The story relates to the heart of every viewer and is made touchier by the outstanding acting by all the main artists. It shows a strong bonding which develops between a mother of a deceased man and his lover who also greatly feels the loss of his boyfriend.
Deepti Naval plays the role of Aarti Mishra who is a 50 year old divorcée and lives in Delhi. Her husband lives in the US with another woman, Claudia. Her twenty-eight years old only son works as an executive of an ad agency in Kolkata enjoying a lavish lifestyle. He dies in a car accident in Kolkata. For this reason Deepti goes to Kolkata to complete the last rituals and to get her deceased son's belongings. In her four-day stay on Kolkata, she is helped by her son's colleagues, Raima sen (as Shahana) and Rituparno Ghosh (as Arnab). There and through his friends she learns of her son's secret engagement in a gay relationship with Arnab. The information comes to her as a deadly blow as she always thought her son to be a normal man with the usual sexual attractions. She is devastated to know the naked truth and initially puts the blame of 'seducing' her son on Arnab. She finds it next to impossible to come to terms with the real story. It surprises her as to how her son could have overlooked the beauty of Shahana and be involved with bald Arnab. She laments that if only she knew of her son's such relationship earlier; she could have shown him to a psychiatrist and got him relief.
It is gradually that she learns and begins to accept that it was her son's preference to be with Arnab with no fault of his boyfriend. Along with carrying back the belongings of her son, she is overburdened to carry back with her the truth of her son's secret gay life. A bonding develops between Arnab and Deepti Naval over the common loss, she at the loss of her only son and he at the loss of his only personal partner. Deepti Naval and Rituparno Ghosh have together done a commendable acting throughout the movie, capturing the emotions of the viewers, and surely deserve applause.
GTM's have come a long way from showing just mere love stories between two men. This movie takes a different angle on the affects people go thru in coming to terms when they come to learn about their near and dear ones being gay. And finally I Quote " I will be going far away can I leave a little bit of me with you" .Memories In March .
One of the finest movies ever in the history of Cinema
Debajyoti_Guha1 June 2021
Before watching Chitrangada, I have always felt that no movie of a human being falling in love with another human being can touch me deeper than Brokeback Mountain. Now after watching Memories in March, I have come to the realisation that all these stories should be read together. There is simply no comparison. Nogorkirton, Arekti Premer Golpo..all these should be watched alongside. It tells a complete story.
It's What You Leave Behind...
Chrysanthepop19 February 2012
I wonder how much of 'Memories in March' was ghost directed by Rituparno Ghosh (who also wrote the screenplay) as it has a very Ghosh feel to it. Not to take anyway from Nag, for if he was behind most of the work, it's superb and perhaps his next films will tell us how much potential he has to stay. 'Memories in March' tells the story of s single mother who arrives to Calcutta to be present attend the wake of her recently deceased son and to collect his belongings. During her visit she is assisted by Shahana and Ornob (two people who were close to her son) who provide her good company. Conservative that she is, when she suddenly learns of a secret about her son, she's shocked and filled with resentment towards Shahana and Ornob. However, her feelings gradually change as she learns more about the relationship her son had with these two people and this is what the core of the film beautifully emphasizes.
At first 'Memories in March' might sound like a depressive movie about grief but the film is much more than that and in the end one doesn't feel depressed but rather a sense of hope and enlightenment.
Subtle, quiet, and tender, yet very lyrical, 'Memories of March' definitely strikes a chord with heartstrings. There's no melodrama or spoonfeeding. Ghosh has written a solid screenplay and to top it off, among the highlights of 'Memories of March' are the three performances by its leads: Rituparno Ghosh who shows potential as an actor, Raima Sen (who looks a little off in the beginning but gradually settles in) and especially Deepti Naval who delivers a transcendent performance that comes across as natural, raw and very human.
As mentioned earlier, this isn't another one of those depressing tearjerker. It's about leaving a piece of yourself behind with your loved ones, like what Sid did and what Aarti does.
At first 'Memories in March' might sound like a depressive movie about grief but the film is much more than that and in the end one doesn't feel depressed but rather a sense of hope and enlightenment.
Subtle, quiet, and tender, yet very lyrical, 'Memories of March' definitely strikes a chord with heartstrings. There's no melodrama or spoonfeeding. Ghosh has written a solid screenplay and to top it off, among the highlights of 'Memories of March' are the three performances by its leads: Rituparno Ghosh who shows potential as an actor, Raima Sen (who looks a little off in the beginning but gradually settles in) and especially Deepti Naval who delivers a transcendent performance that comes across as natural, raw and very human.
As mentioned earlier, this isn't another one of those depressing tearjerker. It's about leaving a piece of yourself behind with your loved ones, like what Sid did and what Aarti does.
"If I have to go away, can I leave a little bit of me with you?"
BiswajitSince200511 October 2019
"If I have to go away, can I leave a little bit of me with you?"
I had heard about this movie long before and was pending to be watched by me for a very long time. For some reason or other it kept on pending even though I had recorded it in my DTH box. I watched it when I went through back to back losses of family members recently and was going through a tough time and was glad I did watch it and connected too instantly.
'Memories in March' is a brilliant film by debutante Director Sanjoy Nag where a bereaved mother is shown to come to terms with his son's sexual identity. Without going into much detail into the plot I would rather prefer to narrate some scenes which are worth mentioning.
There is one particular sequence where Deepti Naval (Arati) expresses her wish to visit his son's office and take away some of his stuffs as souvenirs. The scene is shown in great length and detailing with incalculably striking visuals. When his son's boss dubs her actions too melodramatic, distressed she dashes off from the office.
While considering her Divorce from her hubby as the worst day of her life, she has to learn to acknowledge the death of her son in a road accident. Storming off to Kolkata and accompanied by her son's co-worker Sahana Choudhury who escorted her to crematorium for the last rites of her son. After the cremation is over, she is taken to the Guest House where her son used to live. Sahana narrates her how her son had consumed a lot of alcohol and insisted on driving back to Guest House when he had the fatal accident. Upset with above incidents, she blames her co-workers to drive him to death but she had more shocks in Store when she learns that her son has been living in with Arnob, his co-worker and boss in office. She is upset and blames Arnob of seducing her son but slowly she accepts the truth and accepts that it was her son's predilection to be with Arnob. She develops a bond with Arnob over the common loss they had.
There is a scene where she is browsing her son's phone where her son Siddharth had composed a message to her about his relationship with Arnob but never sent it because he was afraid of upsetting her.
"Memories in March" is about the wreckage that people leave behind after their demise. It makes you question on "this is what relationships are" and "this is what they should be." This is a film worth watching for its pragmatic and susceptible portrayal of a relationship that is sadly even today considered outside norm. For many homosexuals who are still forced to hide from what they are, but thankfully change is happening. Films like this should be made more and more so that it forces the society to recognize homosexuals as no different from them. The theme is not a stranger to hindi movie industry but leaving apart barely a few movies like Aligarh or Dear Dad, rest mostly make fun of the same.
One of the most underrated movie which has stellar performances from Dipti Naval as the mother who has lost his son in a mishap and Rituparno Ghosh who plays the partner of his son. Showing a receptive topic to the next level with performances at par with international standard, this is one of the best movies I have seen in recent times. Deepti Naval and Rituparno Ghosh have done a laudable acting capturing the sentiments brilliantly and deserve applause. Deepti Naval is so pervasive, so repressed; it's only her eyes that say the depth of her pain.
There are some of the movies that are a "Must Watch Before you die". Memories in March is one such movie and a must watch movie for everyone who loves good movie.
I had heard about this movie long before and was pending to be watched by me for a very long time. For some reason or other it kept on pending even though I had recorded it in my DTH box. I watched it when I went through back to back losses of family members recently and was going through a tough time and was glad I did watch it and connected too instantly.
'Memories in March' is a brilliant film by debutante Director Sanjoy Nag where a bereaved mother is shown to come to terms with his son's sexual identity. Without going into much detail into the plot I would rather prefer to narrate some scenes which are worth mentioning.
There is one particular sequence where Deepti Naval (Arati) expresses her wish to visit his son's office and take away some of his stuffs as souvenirs. The scene is shown in great length and detailing with incalculably striking visuals. When his son's boss dubs her actions too melodramatic, distressed she dashes off from the office.
While considering her Divorce from her hubby as the worst day of her life, she has to learn to acknowledge the death of her son in a road accident. Storming off to Kolkata and accompanied by her son's co-worker Sahana Choudhury who escorted her to crematorium for the last rites of her son. After the cremation is over, she is taken to the Guest House where her son used to live. Sahana narrates her how her son had consumed a lot of alcohol and insisted on driving back to Guest House when he had the fatal accident. Upset with above incidents, she blames her co-workers to drive him to death but she had more shocks in Store when she learns that her son has been living in with Arnob, his co-worker and boss in office. She is upset and blames Arnob of seducing her son but slowly she accepts the truth and accepts that it was her son's predilection to be with Arnob. She develops a bond with Arnob over the common loss they had.
There is a scene where she is browsing her son's phone where her son Siddharth had composed a message to her about his relationship with Arnob but never sent it because he was afraid of upsetting her.
"Memories in March" is about the wreckage that people leave behind after their demise. It makes you question on "this is what relationships are" and "this is what they should be." This is a film worth watching for its pragmatic and susceptible portrayal of a relationship that is sadly even today considered outside norm. For many homosexuals who are still forced to hide from what they are, but thankfully change is happening. Films like this should be made more and more so that it forces the society to recognize homosexuals as no different from them. The theme is not a stranger to hindi movie industry but leaving apart barely a few movies like Aligarh or Dear Dad, rest mostly make fun of the same.
One of the most underrated movie which has stellar performances from Dipti Naval as the mother who has lost his son in a mishap and Rituparno Ghosh who plays the partner of his son. Showing a receptive topic to the next level with performances at par with international standard, this is one of the best movies I have seen in recent times. Deepti Naval and Rituparno Ghosh have done a laudable acting capturing the sentiments brilliantly and deserve applause. Deepti Naval is so pervasive, so repressed; it's only her eyes that say the depth of her pain.
There are some of the movies that are a "Must Watch Before you die". Memories in March is one such movie and a must watch movie for everyone who loves good movie.
A gentle, soulful exploration of relationships, loss and acceptance
madchat-0884226 January 2020
A beautiful, sensitive portrayal of the delicateness and depth of emotions that are as a much a part of a homosexual relationship as they can be in a heterosexual relationship, conveyed in the backdrop of grief, loss and reluctant acceptance. The restrained, understated performances by Rituparno Ghosh and Deepti Naval, especially in their joint scenes are mesmerizing. Same for the ones between Deepti Naval and Raima Sen. Although the director is Sanjoy Nag, one can see Rituparno's influence throughout. The music by Debojyoti Mishra - melodious, evocative and sensual, blends seamlessly into the narrative. "Bahu manorathe" is a wonderful composition I could listen to endlessly.
Presenting the love of the unheard
anjumhaz29 January 2022
A mother arrives at the city where her son used to work after he meets with a car accident. The mother finds out that he had a lover. Both the mother and lover share the memories they had of their loved one.
You can count the number of actors in the movie by your fingers, but what the movie presented was huge. Emotions shower over some moments and let you see the other side of the story. What can we accept or cannot?
Loved Rituporno more in this movie. Always used to have a special corner for him. After seeing him acting in such an unconventional role and presenting the unheard in such a graceful manner, my fondness for him only increased more. What a lovely, sharp movie. This will go in the bests of Rituporno.
You can count the number of actors in the movie by your fingers, but what the movie presented was huge. Emotions shower over some moments and let you see the other side of the story. What can we accept or cannot?
Loved Rituporno more in this movie. Always used to have a special corner for him. After seeing him acting in such an unconventional role and presenting the unheard in such a graceful manner, my fondness for him only increased more. What a lovely, sharp movie. This will go in the bests of Rituporno.
A very delicate, fragile and tragic movie
rightwingisevil17 June 2011
Warning: Spoilers
This is a pretty good movie, I mean, if you like a story slowly revealed itself with heavy emotions and memories of a bereaved mother. But after I watched this movie, I couldn't help myself noticing several improper flaws in this movie:
-An adult son working in another city, still called his home to his mother every night? Is it possible? Especially when the mother had to travel to his last whereabouts must get on an airplane to reach there? One of our sons just works and lives about 30 minutes away, he does not call us every night to report his daily activities or night life. So I think this scenario is quite unrealistic, albeit ridiculous.
-When the bad news reached home by a call, the girl who answered the call was...well, the daughter of the mother and the sister of the brother?
-Why there was no portrayal of any reaction of the father?
-Why only she, the mother, got to book a flight to her son's working city, but not the father and the sister? This is the most unreasonable part of this movie? Reasons? The father already abandoned his son completely just because he is another kind of person so he despised him? Why only the mother cared but not the whole family?
-The guy(also the director of this movie) when met the elderly mother did not take of his sun glasses was not an appropriate and reasonable behavior, where's his manners? Only the gangster in a movie would do so to show his coolness. If he decided not to take off his sun glasses, he should have kept wearing it and never took it off, but after he sat down facing the mother, he took it off; this is a very unreasonable behavior to me.
-Finally, how could it possible that a loving mother or a father not knowing their son's real gender until when the mother visited his working city and his friends? This is the most unlikely scenario.
I don't want to spoil the storyline, because it's a very simple straight line, one lane at the speed limit of 15 miles per hour, emotional but nothing surprising. You might be touched or moved, but like the father in this movie, I don't want to show it, touché.
-An adult son working in another city, still called his home to his mother every night? Is it possible? Especially when the mother had to travel to his last whereabouts must get on an airplane to reach there? One of our sons just works and lives about 30 minutes away, he does not call us every night to report his daily activities or night life. So I think this scenario is quite unrealistic, albeit ridiculous.
-When the bad news reached home by a call, the girl who answered the call was...well, the daughter of the mother and the sister of the brother?
-Why there was no portrayal of any reaction of the father?
-Why only she, the mother, got to book a flight to her son's working city, but not the father and the sister? This is the most unreasonable part of this movie? Reasons? The father already abandoned his son completely just because he is another kind of person so he despised him? Why only the mother cared but not the whole family?
-The guy(also the director of this movie) when met the elderly mother did not take of his sun glasses was not an appropriate and reasonable behavior, where's his manners? Only the gangster in a movie would do so to show his coolness. If he decided not to take off his sun glasses, he should have kept wearing it and never took it off, but after he sat down facing the mother, he took it off; this is a very unreasonable behavior to me.
-Finally, how could it possible that a loving mother or a father not knowing their son's real gender until when the mother visited his working city and his friends? This is the most unlikely scenario.
I don't want to spoil the storyline, because it's a very simple straight line, one lane at the speed limit of 15 miles per hour, emotional but nothing surprising. You might be touched or moved, but like the father in this movie, I don't want to show it, touché.
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