kevin_robbins Reviews

The Stylist (I) (2020)

The Stylist emerges as a distinctive and noteworthy addition to the horror genre

[8/10 · 8 May 2024]

I recently watched The Stylist (2020) on Shudder. The plot revolves around a socially awkward hairdresser yearning to emulate the successful and content lives of her clients. She embarks on a disturbing journey to transform herself, resorting to extreme measures to achieve her desires.

Directed by Jill Gevargizian (Dark Web) and featuring a talented cast including Najarra Townsend (Contracted), Brea Grant (After Midnight), Jennifer Seward (I Am Lisa), Sarah McGuire (They Wait in the Dark), and Davis DeRock (The Land).

This film offers a unique character study reminiscent of "May" in many aspects. Najarra Townsend delivers an outstanding and authentic performance, anchoring the narrative with impressive character delivery. The intentionally awkward and uncomfortable scenes are executed flawlessly, contributing to the film's unsettling atmosphere. The premise is refreshingly original, and the horror elements are executed with finesse, particularly the standout scalping scenes. While the storyline's evolution may follow a straightforward and predictable path, it remains engaging to witness unfold.

In conclusion, The Stylist emerges as a distinctive and noteworthy addition to the horror genre. I would rate it 7.5/10 and recommend giving it a watch.

Bait (2000)

While Bait offers comedic moments and showcases Jamie Foxx's talents, it struggles to rise above its ordinary storyline

[6/10 · 8 May 2024]

I recently rewatched Bait (2000) on Tubi. The plot centers on a lifelong petty criminal offered a chance by the police to secure his freedom in exchange for helping them capture a targeted criminal. However, what appears to be a golden opportunity may carry unforeseen consequences for our thief.

Directed by Antoine Fuqua (Training Day), the film features an ensemble cast including Jamie Foxx (Ray), David Morse (The Green Mile), Kimberly Elise (Diary of a Mad Black Woman), Mike Epps (Next Friday), Jamie Kennedy (Scream 2), and David Paymer (Get Shorty).

Bait is one of those films that consistently surprises with its humor, largely thanks to Jamie Foxx's comedic prowess. The character development is well-done, allowing Foxx ample room for his comedic escapades. Additionally, the love story and baby elements add depth, with Kimberly Elise delivering a strong performance. However, beyond the character development, the film falls into the realm of predictability, with a straightforward storyline and exaggerated circumstances leading to an ending that may seem too convenient.

In conclusion, while Bait offers comedic moments and showcases Jamie Foxx's talents, it struggles to rise above its ordinary storyline. I would rate it a 6/10 but still recommend giving it a watch, if only for Foxx's performance.

Pet Sematary (1989)

Pet Sematary rightfully earns its place in the horror hall of fame and stands as Stephen King gold

[10/10 · 8 May 2024]

I recently revisited the Stephen King classic Pet Sematary (1989) on MAX. The plot follows a family who moves to a small Maine town, unaware of the dark secrets harbored by the community's nearby pet cemetery, secrets that will irrevocably alter their lives.

Directed by Mary Lambert (Pet Sematary II) in her major motion picture debut, the film stars Dale Midkiff (The Crow: Salvation), Denise Crosby (Deep Impact), Fred Gwynne (The Munsters), and Brad Greenquist (Ali).

The film's atmosphere is impeccably crafted, imbuing every scene with a sense of mystery and intensity. Its intricate storyline interweaves fascinating subplots, delving into the inner demons of the characters, highlighted by the mom's sister backstory and the father's loss of a recent patient...mirroring the darkness of the Indian burial ground primary plot. While the concept of bringing the dead back to life is not new, the film's execution of this premise is masterful. Fred Gwynne's portrayal of Jud is particularly noteworthy, adding depth to the narrative. The horror elements are effectively chilling, with standout scenes involving Gage and the cat. Additionally, the film features one of the most dramatic child accidents and memorable Achilles slices in cinematic history. The conclusion is a fitting and haunting finale to the tale.

In conclusion, Pet Sematary rightfully earns its place in the horror hall of fame and stands as Stephen King gold. I would rate it 10/10 and highly recommend it as a must-see.

Mr. Bean (1990–1995)

Mr. Bean remains a timeless classic

[9/10 · 8 May 2024]

My daughter and I recently enjoyed the series Mr. Bean (1990) on Prime. The storyline revolves around a peculiar man with unconventional perspectives on life, turning even the simplest tasks into comedic adventures.

Created by, written, and starring the legendary Rowan Atkinson (known for Johnny English), the series excels in its portrayal of Atkinson's distinctive behaviors, mannerisms, expressions, and dry, slapstick humor. His exaggerated antics and unpredictable nature consistently evoke smiles and laughter throughout each episode. Not to be overlooked is Teddy, providing an underrated supporting role in Bean's escapades. Personally, the Christmas episode, pool sequence, and any scene involving his car stand out as favorites.

In conclusion, Mr. Bean remains a timeless classic in the realm of comedy series, deserving of a 9/10 rating. I wholeheartedly recommend it to all viewers.

Rage (1966)

Rage offers enough unique elements to captivate audiences until its climactic end

[7/10 · 7 May 2024]

I recently watched the Mexican thriller 🇲🇽 Rage (1966) on Tubi. The story revolves around a depressed doctor who, while researching a rabies infection, gets bitten by a rabid dog and has only 48 hours to reach the hospital before succumbing to certain death. Along the way, he is aided by new friends and possibly a newfound love interest.

Directed by Gilberto Gazcón (Remolino), the film features a stellar cast including Glenn Ford (Superman), Stella Stevens (The Poseidon Adventure), David Reynoso (Mariachi), Maura Monti (The Bat Woman), and Gilda Mirós (The Fearmaker).

Rage exceeded my expectations with its authentic performances, perfect setting and attire, and atmospheric props. The subplots involving the prostitute and the doctor add depth to the story, while the unpredictable plot twists keep the audience engaged. The opening dog and cat fight scene is entertaining, the love story is unique, and the birthing scene is intense given the circumstances. The inclusion of children in the bus at the end is a brilliant touch, adding layers to the narrative.

In conclusion, Rage offers enough unique elements to captivate audiences until its climactic end. I would rate it a 7/10 and recommend giving it a watch at least once.

Stripes (1981)

Stripes is an 80s comedy classic that demands to be seen

[8/10 · 7 May 2024]

I recently revisited Stripes (1981) on Tubi. The story follows two friends who, facing financial and existential struggles, decide to join the army as a fresh start.

Directed by Ivan Reitman (Ghostbusters) and starring Bill Murray (Ghostbusters), John Candy (Armed and Dangerous), Harold Ramis (Ghostbusters), Sean Young (Blade Runner), and John Larroquette (Night Court).

This film is a quintessential example of 80s comedy gold. Murray and Ramis share impeccable chemistry, while the supporting cast, particularly John Candy and John Larroquette, deliver standout performances. The film features stunning ladies and memorable scenes, including shower sequences and the iconic mud-wrestling match. The comedy is quintessentially 80s, with brilliant sequences like the taxi ride, sharp dialogue, and entertaining training scenes. The military sets and props are excellently crafted. While some plot points are unrealistic, the stellar cast keeps the audience engaged from start to finish.

In conclusion, Stripes is an 80s comedy classic that demands to be seen. I would give it an 8/10 and strongly recommend it.

Hideaway (1995)

Hideaway disappoints as a science fiction/horror film, squandering the potential of its solid 90s cast

[4/10 · 6 May 2024]

I recently watched Hideaway (1995) on Tubi. The story centers on a father who miraculously survives a car accident only to discover he has gained strange psychic powers. Determined to seek justice against his killer, he grapples with disbelief from his family who thinks he has lost his mind.

Directed by Brett Leonard (The Lawnmower Man), the film features a star-studded cast including Jeff Goldblum (Jurassic Park), Alicia Silverstone (Clueless), Alfred Molina (Spider-Man 2), Jeremy Sisto (Wrong Turn), and Rae Dawn Chong (Commando).

Unfortunately, Hideaway feels like a poor imitation of The Lawnmower Man, lacking its predecessor's quality. Despite the talented cast, the father-daughter dynamics feel forced at times, and the dated CGI fails to impress, making certain scenes painful to watch. The conclusion is predictable and uninspired.

In conclusion, Hideaway disappoints as a science fiction/horror film, squandering the potential of its solid 90s cast. I would rate it a 3.5-4/10 and suggest skipping it.

Police Story (1985)

Police Story is a true Jackie Chan gem, blending martial arts with comedy seamlessly. It's a must-see.

[8/10 · 6 May 2024]

I recently watched Police Story (1985) on MAX. The story revolves around a police officer who becomes entangled in a battle against the mafia. When the mafia frames him for the murder of a corrupt cop, he must clear his name by taking down the mafia while evading fellow officers pursuing him.

Co-directed by Jackie Chan (Drunken Master II), and Chi-Hwa Chen (The 36 Crazy Fists), the film stars Chan himself, alongside Maggie Cheung (Hero), Brigitte Lin (Chungking Express), and Hark-On Fung (Kung Fu Hustle).

Police Story stands as an iconic Jackie Chan movie, showcasing his brilliance in action. The legendary opening car chase down the hill sets the tone with a perfect 10/10 action scene. The action choreography is exceptional, featuring thrilling throws and acrobatics that never fail to entertain. While some love story elements may drag, Maggie Cheung's presence adds a touch of elegance to the screen. The film's ending is predictably but worthwhile over-the-top, and the outtakes provide a delightful bonus.

In conclusion, Police Story is a true Jackie Chan gem, blending martial arts with comedy seamlessly. It's a must-see that I would rate an 8/10 and strongly recommend.

The Werewolf (1956)

The Werewolf offers a distinctive and enjoyable addition to the horror genre

[6/10 · 5 May 2024]

I recently watched The Werewolf (1956) on Tubi. The story follows two scientists who, after a car accident leaves a man severely injured, bring him home to test a serum on him. However, the serum transforms him into a man-eating werewolf.

Directed by Fred F. Sears (The Giant Claw) and Steven Ritch (City of Fear), the film stars Don Megowan (Blazing Saddles), Joyce Holden (Private Eyes), and Larry J. Blake (Sunset Blvd).

I found this to be a unique take on the werewolf genre, with a compelling backstory and premise that is well narrated. While the werewolf transformation scenes may feel dated, they still offer an enjoyable experience, particularly the sight of a Wolfman in a business suit. The subplot involving the family and the unfolding of the story is smartly executed, and the ending, while somewhat sad, feels realistic.

In conclusion, The Werewolf offers a distinctive and enjoyable addition to the horror genre. I would give it a 6/10 rating and recommend giving it a watch at least once.

The Talk of the Town (1942)

The Talk of the Town is another delightful Cary Grant movie from this era

[8/10 · 5 May 2024]

I recently watched The Talk of the Town (1942) on Tubi. The story centers around an escaped convict who seeks refuge at the home of a childhood friend. Luckily, she offers him a place to stay, but things take a twist when a Harvard professor also becomes a houseguest. As they try to keep the fugitive hidden, the professor grows suspicious and determined to uncover the truth.

Directed by George Stevens (Giant) and starring Cary Grant (North by Northwest), Jean Arthur (Mr. Smith Goes to Washington), Ronald Colman (Lost Horizon), and Glenda Farrell (Little Caesar).

This film exudes the classic charm and charisma of Cary Grant. The love triangle adds an element of fun and unpredictability to the story. While the antics to protect Grant vary in their realism, the solid performances and chemistry among the cast members elevate the film. The well-written dialogue keeps the pacing engaging, and the twists at the end provide a satisfying conclusion.

In conclusion, The Talk of the Town is another delightful Cary Grant movie from this era, deserving a score of 7.5/10. I highly recommend it for fans of classic cinema.

Kill, Baby... Kill! (1966)

This film is a masterclass in horror craftsmanship

[8/10 · 4 May 2024]

I recently watched the Italian masterpiece 🇮🇹 Kill, Baby.... Kill! (1966) on Tubi. The story unfolds in a small town plagued by tragedy, rumored to be caused by the ghost of a little girl who suffered a terrible fate there. As a recent tragedy strikes, a coroner and medical student investigate the mysterious deaths, while some townsfolk are determined to protect their secrets.

Directed by the iconic Mario Bava (The Evil Eye) and starring Erika Blanc (A Dragonfly for Each Corpse), Giacomo Rossi Stuart (The Last Man on Earth), Fabienne Dali (Desert Commandos), and Giovanna Galletti (The Girl in Room 2A).

This film is a masterclass in horror craftsmanship. The attention to detail in the settings, sets, costumes, lighting, and use of smoke machines is outstanding. The eerie background music, coupled with the sound of children laughing after horror scenes, creates a chilling atmosphere. The cast delivers authentic performances, maintaining intensity throughout the film, especially with Karl's awkward and unpredictable character. The mind control elements are executed with precision, building up to a satisfying twist at the end.

In conclusion, Kill, Baby.... Kill! Is Mario Bava at his finest, a horror gem that demands to be watched. I would give it an 8/10 and highly recommend it.

The Sixth Man (1997)

The Sixth Man is worth watching once, but fails to leave a lasting impression

[4/10 · 4 May 2024]

I recently watched The Sixth Man (1997) on Tubi. The film follows two brothers who join a college basketball team, with one becoming a star player and the other a solid role player. When the star brother tragically dies, the remaining brother struggles to cope until his brother's ghost returns to assist him.

Directed by Randall Miller (Class Act), and starring Marlon Wayans (White Chicks), David Paymer (Get Shorty), Kadeem Hardison (White Men Can't Jump), Kevin Dunn (Warrior), and Michael Michele (How to Lose a Guy in 10 Days).

This picture movie is a mix of funny moments and missed opportunities. Marlon Wayans delivers a solid performance, although he doesn't run like an athlete. Some scenes, like the shower scream and the "talking to self" sequence, provide genuine laughs. However, interactions with the ghost feel awkward and less humorous, detracting from the overall storyline.

In conclusion, The Sixth Man falls below expectations for a comedy, offering only a handful of laughs. While it's worth watching once, it ultimately fails to leave a lasting impression. I would give it a 4/10 rating.

Warlords of the Deep (1978)

Warlords of Atlantis delivers an entertaining experience reminiscent of Ray Harryhausen's works from the same era

[7/10 · 3 May 2024]

I recently watched Warlords of Atlantis (1978), a UK science fiction/horror film, on Tubi. The plot revolves around a scientific underwater expedition in search of Atlantis. Upon discovering Atlantis, the crew rebels against the scientists in charge and begins looting its treasures, setting off a perilous chain of events.

Directed by Kevin Connor (Motel Hell) and featuring Douglas McClure (The Virginian), Peter Gilmore (Carry On Columbus), Lea Brodie (The Lifetaker), Shane Rimmer (The Spy Who Loved Me) and Cyd Charisse (Silk Stockings).

Warlords of Atlantis delivers an entertaining experience reminiscent of Ray Harryhausen's works from the same era. The production values, including the costumes and props, effectively immerse the audience in the film's universe. While some of the special effects may appear dated, particularly the opening monster, the underwater scenes and lighting are well-executed. The highlight is the impressive depiction of the octopus 🐙 at the climax, which is excellently rendered.

Despite a fairly straightforward storyline typical of the genre, Warlords of Atlantis surpasses expectations, offering a delightful addition to the science fiction/horror genre of its time. I would rate it a solid 6.5-7/10 and highly recommend it.

The Killing of a Sacred Deer (2017)

The Killing of a Sacred Deer is a unique and well crafted picture that's an absolute must see

[9/10 · 3 May 2024]

I recently watched Killing of a Sacred Deer (2017) on Tubi. The storyline follows a surgeon who loses a patient and feels bad for the patient's son. When the son requests to spend some time with the doctor he takes him up on the offer. What first seems like an innocent interaction leads to additional run-ins with the kid. He decides to help the kid where he can until he begins to realize the young man may have other motives...

This picture is directed by Yorgos Lanthimos (The Lobster) and stars Colin Farrell (The Batman), Nicole Kidman (Eyes Wide Shut), Barry Keoghan (Saltburn), Raffey Cassidy (White Noise) and Alicia Silverstone (Clueless).

This is a very smart, unique and creative picture with twist after turn where every sequence feels unpredictable. There's so many interactions that make you feel uncomfortable. Barry Keoghan is really a phenomenal actor. His expressions and mannerisms couldn't be executed better. All of the acting is very good; and once again, Nicole Kidman displays her talent and how gorgeous she is. The dialogue is brilliantly written and the situations unfold well. It's always creepy when bad things are happening to children and this film plays on your emotions in that area so well. The ending shotgun scene is mind blowing. This movie really is phenomenal.

In conclusion, The Killing of a Sacred Deer is a unique and well crafted picture that's an absolute must see. I would score this an 8.5-9/10 and strongly recommend.

Pacific Rim: Uprising (2018)

Pacific Rim: Uprising is a commendable sequel worth a watch, especially if you enjoyed the first film

[7/10 · 3 May 2024]

I recently revisited Pacific Rim: Uprising (2018) on Hulu. The storyline picks up years after the events of the first film, with strange occurrences prompting the need for Jaeger pilots once again. The son of Idris Elba's character from the original and a former classmate must lead a new unit to confront threats to the planet.

Directed by Steven S. DeKnight in his directorial debut, the film stars John Boyega (Star Wars: The Force Awakens), Scott Eastwood (Suicide Squad), Charlie Day (It's Always Sunny in Philadelphia), Burn Gorman (The Dark Knight Rises), and Jing Tian (Kong: Skull Island).

While the storyline is just sufficient to maintain interest, Pacific Rim: Uprising introduces cool new bots, monsters, and enjoyable characters. The cast delivers solid performances, and the special effects remain impressive. The monster battles are engaging, and a worthwhile twist awaits at the end. I'd watch future installments.

In conclusion, Pacific Rim: Uprising is a commendable sequel worth a watch, especially if you enjoyed the first film. I'd give it a 7/10 and recommend watching it once.

The Hateful Eight (2015)

The Hateful Eight stands as another Tarantino masterpiece and is an absolute must-see

[9/10 · 2 May 2024]

I recently rewatched Tarantino's classic The Hateful Eight (2015) on Netflix. The storyline follows a bounty hunter traveling through the Rocky Mountains during a snowstorm and encountering individuals who pose a threat to his bounty. Despite setting parameters for their interactions, the journey becomes anything but peaceful.

Directed and written by the iconic Quentin Tarantino (Pulp Fiction), the film stars Kurt Russell (Escape from New York), Samuel L. Jackson (Pulp Fiction), Jennifer Jason Leigh (Single White Female), Walton Goggins (Fallout), Michael Madsen (Kill Bill), and Tim Roth (Reservoir Dogs).

The Hateful Eight is visually stunning, with captivating settings and a legendary soundtrack. The dialogue and acting are exceptionally brilliant, with a lingering sense of mystery throughout. Jennifer Jason Leigh delivers a standout performance, and the random acts of violence against her are executed with precision. Samuel L. Jackson's character is easy to root for, while Russell's character is appropriately annoying and adds tension. Memorable sequences include the North vs. South subplot and showdown, the vomit scene, and the intense "liar" conclusion.

In conclusion, The Hateful Eight stands as another Tarantino masterpiece and is an absolute must-see. I would give it a 9/10 and strongly recommend it.

The Brotherhood of Satan (1971)

Brotherhood of Satan offers enough redeeming elements to make it a worthwhile addition to the horror genre

[7/10 · 1 May 2024]

I recently watched Brotherhood of Satan (1971) on Tubi. The storyline revolves around a small Midwestern town plagued by a cult that worships Satan, complete with a charismatic leader, witches, and regular rituals involving sacrifices. When a group of unsuspecting individuals stumble into the wrong town, they become the cult's next target.

Directed by Bernard McEveety (Forgotten City of the Planet of the Apes), Brotherhood of Satan stars L. Q. Jones (The Wild Bunch), Strother Martin (Slap Shot), Charles Bateman (Santa Barbara), and Helene Winston (Double Trouble).

While the film boasts a promising premise, its execution falls somewhat uneven. The acting is adequate, though not exceptional, maintaining a sense of believability throughout. The cult scenes are particularly well-done, delivering intense and realistic moments, albeit occasionally drawn out. However, some of the special effects from that era appear dated, and the blood resembles red paint. Despite this, standout sequences like the tank opening and car crash add to the film's appeal. The storyline features engaging twists and turns, culminating in a solid reveal ending. Brotherhood of Satan exceeded my expectations, despite its uneven elements.

In conclusion, Brotherhood of Satan offers enough redeeming elements to make it a worthwhile addition to the horror genre. I would rate it a 6.5-7/10 and strongly recommend it.

Nothing to Lose (1997)

Nothing to Lose is a fun addition to the comedic genre that's an absolute must see

[7/10 · 1 May 2024]

I recently watched Nothing to Lose (1997) on Tubi. The storyline follows a successful business man who loses his mind when he comes home to discover his wife cheating on him. He immediately leaves the house only to get car jacked. The carjack may have picked the wrong man at the wrong time to carjack...

This picture is written and directed by Steve Oedekerk (Ace Ventura: When Nature Calls) and stars Martin Lawrence (Bad Boys), Tim Robbins (Shawshank Redemption), John C. McGinley (Scrubs), Giancarlo Giuseppe (Breaking Bad), Rebecca Gayheart (Jawbreaker) and Kelly Preston (Twins).

This is one of those films that a ton of fun. The cast is awesome and Lawrence and Robbins playoff each other perfectly and are hilarious. The storyline is over the top but worthwhile. This movie has an amazing start with a great hijacking scene and fight at the dinner. The mother slaps are legendary. The dialogue is really good and the reveal at the end was excellent. There were some aspects more authentic than other, but this is still a fun watch.

In conclusion, Nothing to Lose is a fun addition to the comedic genre that's an absolute must see. I would score this a 7-7.5/10 and strongly recommend it.

Black Noon (1971 TV Movie)

This movie evokes the atmosphere of a feature-length Twilight Zone episode

[8/10 · 30 April 2024]

I recently watched the horror western Black Noon (1971) on Tubi. The storyline follows a reverend whose wife falls ill during their journey across the desert as they head to their new home. Forced to seek refuge in a small town until his wife recovers, the reverend is asked to speak at the local church. Miraculous events unfold as he speaks, leading the townsfolk to implore him to stay and continue aiding them. Meanwhile, the reverend's wife grows increasingly suspicious of the sinister forces at play.

Directed by Bernard Kowalski (Stiletto), Black Noon stars Roy Thinnes (Airport 1975), Yvette Mimieux (The Time Machine), Gloria Grahame (In a Lonely Place), Ray Milland (Dial M for Murder), Leif Garrett (The Outsiders), and Lynn Loring (Horror at 37,000 Feet).

This movie evokes the atmosphere of a feature-length Twilight Zone episode. While it starts with a slow, methodical setup, it excels in establishing the characters, the town, and the circumstances that draw the reverend into the unfolding events. Although the acting isn't extraordinary, the authentic settings, attire, and props contribute to the film's immersive feel. The climax of Black Noon is truly captivating. With a clever twist and a magnificent ending at the church, it couldn't have been executed better. The reveal at the end is reminiscent of a classic Twilight Zone episode, leaving viewers mesmerized by the revelation of what was truly happening all along.

In conclusion, Black Noon is a must-see for patient horror movie fans who appreciate films from this era. I would rate it 7.5/10 and strongly recommend it.

Roller Blade (1986)

Roller Blade is a disaster in just about every way...but I loved it

[5/10 · 30 April 2024]

I recently watched the low budget picture Roller Blade (1986) on Tubi. The storyline takes place in a futuristic, apocalyptic society where an evil dictator has taken over the land and needs a crystal to become invincible. The crystal is protected by roller blading nuns who are quick to aid a rebellion who wishes to overthrow the dictator.

This picture is directed by Donald G. Jackson (Hell comes to Frogtown) and stars Pat McClung, Suzanne Solari (Mulholland Falls), Jeff Hutchinson (Hell Comes to Frogtown), Katina Garner (Hollywood Horror House) and Michelle Bauer (Virgin High).

This picture was made on a $70,000 budget but does the best it can with what it had to work with. This is one of those movies that's genuinely so bad it's good. This movie has a ton of nudity and an absolutely gorgeous cast. The nude fights on rollerblades was awesome. Theres a legendary hot tub scene and the puppet was wild. The acting isn't good, and the dialogue is awful, but I could watch this movie 100 times.

In conclusion, Roller Blade is a disaster in just about every way...but I loved it. I would score this a 5/10 but still highly recommend it.

Silent House (2011)

Silent House is a below-average addition to the genre, with mediocre horror elements and writing, but it benefits from a solid performance by Elizabeth Olsen

[4/10 · 29 April 2024]

I recently watched Silent House (2011) on MAX. The storyline revolves around a daughter, her father, and uncle who are packing up their lakeside home. When something mysterious happens to the uncle, the father and daughter instantly sense that something is amiss. They begin hearing strange noises around the house and realize they are unable to leave. What unfolds next and why?

This film is co-directed by Chris Kentis (Open Water) and Laura Lau (making her directorial debut) and features Elizabeth Olsen (WandaVision), Adam Trese (Zodiac), Haley Murphy (Jessica Jones), and Eric Sheffer Stevens (As the World Turns).

Silent House struggles to piece together its elements effectively. While Elizabeth Olsen delivers an authentic and compelling performance, the rest of the cast falls short, delivering inconsistent performances. The horror elements vary in impact, with the outside noises lacking the intended punch and the kills being underwhelming, although the corpse effects are well-executed. The storyline itself is lackluster, and the twist at the end doesn't land as cleverly as intended. However, the events following the twist are engaging, leaving viewers wondering where "that" was all film.

In conclusion, Silent House is a below-average addition to the genre, with mediocre horror elements and writing, but it benefits from a solid performance by Elizabeth Olsen. I would give it a 3.5/10 rating and suggest skipping.

Sheena (1984)

Sheena is primarily worth watching for Tanya Roberts

[4/10 · 29 April 2024]

I recently watched Sheena (1984) on Tubi. The storyline centers on Sheena, whose parents tragically die on safari, leaving her to be raised in the jungle. Taken in by a local tribeswoman, Sheena learns the ways of the jungle and discovers her telepathic ability to communicate with animals. When a philanthropist frames Sheena's adopted mother for murder, Sheena must navigate danger while uncovering the truth.

Directed by John Guillermin (The Towering Inferno), Sheena stars Tanya Roberts (That '70s Show), Ted Wass (2 Broke Girls), Donovan Scott (Popeye), and Elizabeth of Toro (Things Fall Apart).

Sheena can be seen as a female counterpart to Tarzan, complete with an awkward love story reminiscent of The Blue Lagoon, which was popular during this era. The plot feels somewhat forced, but Tanya Roberts shines in her role, and there are occasional glimpses of nudity, as expected. The sequences involving Sheena's animal telepathy are enjoyable, particularly those featuring a flamingo and a rhino, while the scenes of riding a zebra always crack me up. However, the ending car crash feels overly dramatic, and the sequences that follow don't align with the expected plot progression.

In conclusion, Sheena is primarily worth watching for Tanya Roberts. I would give it a 4/10 rating and suggest skipping it.

Children of the Corn V: Fields of Terror (1998 Video)

Children of the Corn V: Fields of Terror is a disappointing addition to the series, failing to live up to its potential.

[4/10 · 28 April 2024]

I recently viewed Children of the Corn V: Fields of Terror (1998) on MAX. The plot revolves around "he who walks behind the corn," who corrupts a new group of children in a small town. When a group of teenagers experiences car trouble near the town and seeks help, one of them discovers that her brother may be under the children's control, prompting her to try to save him.

Directed by Ethan Wiley (House II) and featuring Eva Mendes (The Place Beyond the Pines), Alexis Arquette (Bride of Chucky), Fred Williamson (From Dusk Till Dawn), Kane Hodder (Hatchet), David Carradine (Kill Bill), and Stacy Galina (Big Man on Campus).

Despite its promising cast, this film falls short of expectations. While Eva Mendes is captivating and gorgeous as the main character, her performance feels uneven. David Carradine's talent is underutilized, though Fred Williamson delivers a solid performance as the sheriff. The movie starts strong with an intense "possessed" scene and an impactful initial kill, but quickly loses momentum. The storyline becomes stale, leaving viewers waiting in vain for another engaging moment.

In conclusion, Children of the Corn V: Fields of Terror is a disappointing addition to the series, failing to live up to its potential. With little to offer beyond a few initial thrills, it's not worth investing your time in. I would rate it 3.5/10 and suggest skipping it altogether.

Destroyer (2018)

Destroyer is a unique and well-executed thriller, with Kidman delivering a standout performance

[7/10 · 28 April 2024]

I recently revisited Destroyer (2018) on Tubi. The film follows an LA detective who loses everything during a botched undercover mission. When her target resurfaces years later, she reunites with her former team to seek revenge for past wrongs.

Directed by Karyn Kusama (The Invitation), and starring Nicole Kidman (Eyes Wide Shut), Sebastian Stan (Captain America: The Winter Soldier), Bradley Whitford (Get Out), and Toby Kebbell (Dawn of the Planet of the Apes).

The film excels in numerous aspects. From the gritty settings and attire to the skilled use of lighting and cinematography, every detail is meticulously crafted. Kidman's transformation, reminiscent of Charlize Theron in "Monster," is particularly noteworthy, and her performance is outstanding. The portrayal of the family dynamic is well-developed, although at times it may feel slightly overemphasized, especially in the daughter's reactions to various situations. The storyline is intense and dramatic, featuring clever twists and turns that keep viewers engaged. The subplots are intelligently woven together, culminating in a satisfying twist at the end.

In conclusion, Destroyer is a unique and well-executed thriller, with Kidman delivering a standout performance. I would rate it a 7/10 and strongly recommend it.

Scream of Fear (1961)

Scream of Fear is a well-crafted film with compelling characters, intricate plotlines, and a captivating storyline

[8/10 · 27 April 2024]

I recently viewed the UK classic Scream of Fear (1961) on Tubi. The plot centers around a wheelchair-bound young woman who is summoned to visit her father for the first time in a decade. Upon her arrival, her father is nowhere to be found, and she is met by her stepmother, sparking a series of unsettling events. As she begins to catch glimpses of her father around the house, she questions her sanity while local authorities become involved. Is she losing her mind, or is there something sinister at play?

Directed by Seth Holt (The Nanny), the film features a talented cast including Susan Strasberg (Picnic), Ann Todd (The Paradine Case), Christopher Lee (Dracula), and Anne Blake (The Curse of Dracula).

Initially presenting itself as a concept themed horror film, Scream of Fear quickly surpasses expectations, unfolding into a more nuanced and intelligent narrative. The characters are well-developed, and the performances are stellar, with Christopher Lee's brief appearance leaving a lasting impact. The plot is rich with clever twists and turns, culminating in an unexpected and satisfying conclusion. Even the seemingly "unnecessary" romantic subplot proves to be intricately woven into the story, adding depth and complexity.

In summary, Scream of Fear is a well-crafted film with compelling characters, intricate plotlines, and a captivating storyline. I would rate it a solid 7.5/10 and highly recommend it.