Bosch is undercover as others worry about is wellbeing.
The one concept you have to accept for this story to work is that a high profile policeman, who has been in the media in previous episodes, would go undercover in this type of situation. I can suspend the disbelief in this instance, so am reasonably intrigued to find out what happens next. Interestingly, it ends on a compelling moment that links to the theme mentioned above.
The writers also include a clever little plot twist that involves Bosch doing something for a reason that is unclear initially, but when the truth is revealed it is quite satisfying.
Titus Welliver leads it strongly as always and I think I am finally starting to accept Jamie Hector as J. Edgar, as opposed to a weirdly nice version of Marlo Stanfield.
For me it is a 7.5/10, but I round upwards.
The one concept you have to accept for this story to work is that a high profile policeman, who has been in the media in previous episodes, would go undercover in this type of situation. I can suspend the disbelief in this instance, so am reasonably intrigued to find out what happens next. Interestingly, it ends on a compelling moment that links to the theme mentioned above.
The writers also include a clever little plot twist that involves Bosch doing something for a reason that is unclear initially, but when the truth is revealed it is quite satisfying.
Titus Welliver leads it strongly as always and I think I am finally starting to accept Jamie Hector as J. Edgar, as opposed to a weirdly nice version of Marlo Stanfield.
For me it is a 7.5/10, but I round upwards.
