Route 66 produced its share of "whimsical", light-hearted episodes, but who would have expected an actual, honest-to-goodness FANTASY that has no rational explanation? And, of course, Tod goes and ruins it.
Too bad. The show was imaginatively written for its setting- the famous Florida mermaid tourist attraction we all used to hear about in the '60's. It's imaginatively filmed--with plenty of underwater footage, and features a charming and alluring performance by Diane Baker...which I'm sure sent legions of young male viewers in 1963 into orbit. She's just lovely--- a perfect dream girl for our manly hero Mr. Stiles, who manages to SCREW IT UP with all of his condescending, wise-guy, slick, philosophizing gunk.
Way to go, man. Of course, if Elyssa had stayed with Tod, the series would have taken a REAL novel turn---- maybe even predating "Bewitched" and "I Dream of Genie" as a TV comedy-fantasy series. But I just hated to see the innocent, childlike "Sea-lass" treated like she was...for no good reason.
Nelson Riddle's musical theme for this episode was clearly based on the name "E-lys-sa"---and maybe Burton Lane's 1965 hit tune ON A CLEAR DAY "borrowed" it.....just a little?
Also, Ed Binns' role was pretty thankless, basically providing Linc with something to keep himself occupied. I thought Ed would get more involved with Tod's dilemma.
Overall, a unique episode in the series, a bit rushed in its ending resolution, but well done. LR
Too bad. The show was imaginatively written for its setting- the famous Florida mermaid tourist attraction we all used to hear about in the '60's. It's imaginatively filmed--with plenty of underwater footage, and features a charming and alluring performance by Diane Baker...which I'm sure sent legions of young male viewers in 1963 into orbit. She's just lovely--- a perfect dream girl for our manly hero Mr. Stiles, who manages to SCREW IT UP with all of his condescending, wise-guy, slick, philosophizing gunk.
Way to go, man. Of course, if Elyssa had stayed with Tod, the series would have taken a REAL novel turn---- maybe even predating "Bewitched" and "I Dream of Genie" as a TV comedy-fantasy series. But I just hated to see the innocent, childlike "Sea-lass" treated like she was...for no good reason.
Nelson Riddle's musical theme for this episode was clearly based on the name "E-lys-sa"---and maybe Burton Lane's 1965 hit tune ON A CLEAR DAY "borrowed" it.....just a little?
Also, Ed Binns' role was pretty thankless, basically providing Linc with something to keep himself occupied. I thought Ed would get more involved with Tod's dilemma.
Overall, a unique episode in the series, a bit rushed in its ending resolution, but well done. LR