Angel of Death (1985) User Reviews

Far from Franco or Bianchi's best work, which says a lot.

[BA_Harrison · 3/10 · 10 February 2018]

Written by the legendary Jess Franco and directed by Andrea Bianchi (Burial Ground), Angel of Death (AKA Commando Mengele) is a dreadfully inept Euro action flick that is nowhere near as sleazy, gory or trashy as it should have been given subject matter and the 'talent' involved, and which consequently bores for almost its entire runtime.

The film stars Antonio Mayans as Marc, a Nazi hunter on the trail of the notorious German doctor Josef Mengele (Howard Vernon), who is alive and well, creating mutant monkey men in his laboratory. Assembling a team that includes an explosives/weapons expert, a martial artist, a circus acrobat, and an electronics wizard, Marc must gather evidence before launching an attack on Mengele's heavily guarded fortress.

Incredibly uneventful for most of the time, I kept telling myself that it must get better eventually, but that simply wasn't the case. After lots of excruciatingly dull Nazi nonsense, with not a single credible performance from the entire cast (a chimpanzee steals the show), the film finally gets to the action packed finale in which almost everyone dies. Sadly, an opportunity to go overboard with the blood and guts is sorely missed, most of the extras simply falling unconvincingly to the ground with red paint on their shirts.

Dr. Mengele Strikes Again

[Flixer1957 · 3/10 · 30 October 2006]

Name-brand actors co-star with clowns who often worked for Jess Franco in this Dr. Mengele story; the end result gives THE BOYS FROM BRAZIL no competition whatsoever. Fernando Rey and Jack Taylor are Nazi hunters while Christopher Mitchum is a crippled American mercenary employed by Mengele (Howard Vernon.) The pretty young agent who infiltrates Mengele's stronghold is played by an actress named Dora Doll–I kid you not! She gets to see the pathetic results of Mengele's genetic experiments before being beaten and thrown in a cage. The only mutant we get to see is a chimp-man who probably could have made a better movie. Taylor and friends attack the compound in an assault that tries, without success, to match the finale of THE WILD BUNCH. Director Andrea Bianchi apparently had a surplus of blood-squibs; the bullet holes are big and bloody and the red stuff sprays through the air by the gallon, literally painting the screen crimson. However, guns are aimed at soldiers' chests and they suffer head wounds, and Taylor walks out of an exploding building without a scratch. Too bad the real Josef Mengele didn't live long enough to sit through this howler—such torture would have been partial payback for his crimes against humanity.

Below average French/Spanish co-production shot in Benidorm from Andrea Bianchi and Jesús Franco

[ma-cortes · 4/10 · 12 June 2021]

An inferior and stupid action movie about the hunt for the fearsome Doctor Joseph Mengele , known member of the German Nazi party and cruel doctor of the Auschwitz concentration camp . He escaped and pursued by the Mossad took refuge in Paraguay and Brazil, after the fall of the Third Reich. There in South America get together a group of followers , militants of the Third Reich , fascist rulers to work for a Nazi rebirth and attempting to celebrate an international congress with world leaders. Mengele : Howard Vernon tries to reconstitute the Nazi movement from his sanctuary . Meanwhile , he undergoes terrible experiments and horrible clonation of genes between animals and human beings , using genetic engineering. Along the way a young contacts a Nazi Hunter: Fernando Rey , Simon Wiesental-lookalike , begining investigating and discovering the malignant plans of Mengele . Then a Jewish commando is formed for hunting the nasty Nazi War criminal. The small mercenary team : Antonio Mayans, Jack Taylor..attempts to track down the heinous Nazi by joining an expert band of specialists . The blood of millions is on his hands ... the power of evil is on his side !

Ridiculousness , silliness and shabby action abound in this inferior movie that results to be really influenced by "Boy from Brazil" 1978 with Gregory Peck as the infamous Doctor Mengele and Laurence Olivier as Simon Wiesental . This is an absurd thriller with noisy action , suspense twisted inteigue and final combat with fights , helcopters and lots of weapons . The story is boring and tiring , though entertaining at any time , being full of latent absurdities and silly mayhem. It results to be a ridiculous entry in a minor sub-genre about "Let's find the darn Nazi before he really causes trouble" and in the wake of other similar movies . The main issue is the creation of a commando to track down the ominous Nazi and his fanatic hordes of bodyguards : Chris Mitchum, Robert's son, in order to get to the main criminal , being formed by various experts on explosive , weapons , crossbow , computer wizard and a karate Man . Stars Antonio Mayans , Jack Taylor as leaders of the commando , Fernando Rey as the Jewish mastermind and Chris Mitchum as a crippled Vietnam vet who controls the nefarious underlings . And Howard Vernon is acceptable, though overacting at times, as the redoubtable , sinister Nazi practicing genetics engineering and other dangerous , sordid scientist discoveries . Along with intervention of Jesus Franco's regular actors as Jack Taylor, Shirley Knight , Lin Romay , and Antonio Mayans.

This low-grade motion picture in low budget was lousily directed by two professionals of the exploitation movies , the erotic filmmaker Andea Bianchi or Andrew White (Malabimba, Maniac Killer , Night Hair Child ,Treasure Island ,Massacre , Night Hair Child , Zombie Horror) and the legendary , prolific Jesús Franco or Jess Frank (Bloody Mon , Jack the Ripper , Orloff saga , Justine , Ilsa the Wicked Warden , Dracula versus Frankenstein , Venus in Furs , Count Dracula , 99 women, Tender Flesh , Paroxismus) . In fact, it was begun by Franco , as he directed a lot of it , but he argued with producers Marious Lesoeur , Daniel Lesoeur from Eurocine about Mengele character , as Jess left the shooting , taking the realization another director in similar style : Andrea Bianchi. Rating : 3.5/10. Two thumbs down.

Absolute dreck

[sean-57842 · 2/10 · 17 January 2020]

Commando Mengele, or Angel of Death is an 1987 action movie that is best completely forgotten about. This is one of those films which is totally devoid of action, suspense or anything of any real interest. The plot is dire, the cinematography is just appalling, the acting is unspeakable. The only thing of any redeemable quality is the synthesizer soundtrack, and even that sounds like a cross between the soundtracks of a porno and a cheap thriller.

I'm not even gonna give this the justice of a plot outline. I will round this off by saying that this film contains one of the worst scenes I've ever seen. A woman scans a photograph of Mengele into a computer which instantly dictates back to her - in a robotic voice - who is in the picture and when it was taken. Boy, even by today's standards we don't have this outstanding technology!

Bullet wounds, kung fu & incoherence

[prohibited-name-1142 · 5/10 · 30 December 1998]

Doctor Mengeles, the famous nazi butcher, is still living somewhere in South America, torturing innocent young virgins and being played by Howard Vernon. A jewish commando is set up to hunt him and punish his cruel war acts, but the avengers face the wrath of the nazi lunatics, and the battle rages on until Mengele's bodyguard, a kung fu adept, gets killed. Such plots are common to Jess Franco, but this sometimes talented director should have learned that those movies aren't funny or breathtaking... They're just BORING. After all, Jess's a veteran, but he's done WAY better. Fans be warned, this ain't a good one, and if you don't know Franco, don't try to get familiar with him with this one, try something else, like Faceless or Bloody Moon.

Low rent action mayhem

[Leofwine_draca · 5/10 · 23 January 2018]

ANGEL OF DEATH is one of those cheapo Eurocine productions made to cash in on the rage for Italian action/war films in the late 1980s. It was made by the unholy pairing of the infamous Jess Franco with Andrea Bianchi, the man who bought us BURIAL GROUND, and impressively enough it was filmed in Uruguay so it has visual authenticity. The plot is nothing special, involving a commando squad sent into the jungle to track down and kill the infamous Nazi doctor Mengele, and it's mostly an excuse for regular shoot-'em-up scenes of henchmen being shot with arrows or blown up. The film also has an impressive cast of low-rent appearances, chief of whom is Chris Mitchum in a sweaty turn. Howard Vernon is well cast as the sinister doctor, and Jack Taylor plays a good guy for a change. Fernando Rey has also been roped into taking part in the mayhem. With Franco's influence, expect plenty of scenes of young women in distress and wearing very little, and not much in the way of quality.

Sadly a mess

[BandSAboutMovies · 2/10 · 6 June 2022]

Jess Franco never wanted to claim this movie.

In Jess Franco: From the Margins to Auteur Cinema. Analysis of the Cinematographic Story, he said "I started doing a movie that was titled Gente del Rio, in which appeared Mengele who was hidden there, and was wonderfully played by Howard Vernon. Gente del Rio was a film about some fishermen who live in a town in Central America and know that Mengele lives there, but nobody dares to come up to him. Until some of them attempt to catch him. The movie is their fight to get hold of that bastard. And they get him. It was based on persons I met in Brazil, former Nazis who lived like gods on some fucking rural estates, and what I wanted was to show the clash between these people and the humble people of the river. But the producer wanted to give more importance to the character of Mengele, but in Andrea Bianchi's shabby action movie way. I did not want to do that with that character, who is a sinister and sordid type, but who must be given another treatment, not as if he was a street whore. So I abandoned the film, and in the end I left it. I did not finish it, nor did I want to finish it, because it was wrong, and I did not want it to appear out there on video. Almost all the material that I did with the Italians is like this, they did me a thousand dirty tricks, everything went wrong, and that's why I have never admitted the film as mine."

Nazi hunters Aaron Horner (Jack Taylor) and Marc Logan (Antonio Mayans, who was in nearly all of Franco's later movies) have hunted down the escaped Nazi war criminal Dr. Josef Mengele (Howard Vernon) to South America, where he and his assistant Gertrud (Shirley Knight) have created a Fourth Reich, which mostly seems to involve experiments that created a monkey man and starting an army trained by crippled Vietnam veteran Wolfgang von Backey (Christopher Mitchum). Luckily, Horner and Logan have an army that includes kung fu experts, a crossbow shooting soldier, an acrobat named Mr. Agility and a female spy named Eva (Suzanne Andrews) already on the inside.

So yeah, while Franco wrote and started this, the aforementioned Bianchi (Burial Ground) finished it. It has little to none of the sleaze you expect from Jess Franco making a movie where soldiers face off against neo-Nazis who experiment on humans. Even Fernando Rey showing up for a cameo can't make this any better and that's a shame. This is being sold on the Franco name and it isn't a Franco film.

The name Commando Mengele is better, though. I also feel that Jess Franco is like pizza or sex. Even if its bad, it's still pizza or sex.

Angel of Death's sheer awfulness compels you to keep watching, if only to witness how much worse it can get

[kevin_robbins · 3/10 · 19 April 2024]

I recently watched the French film 🇫🇷 Angel of Death (1985) on Tubi. The plot follows a commando unit dispatched to South America to capture the notorious Nazi, Dr. Mengele, who continues his sinister experiments on the locals. The mission: infiltrate Mengele's compound and deliver justice.

Directed by Andrea Bianchi (Maniac Killer), the film features performances by Christopher Mitchum (Big Jake), Fernando Rey (French Connection), Howard Vernon (Delicatessen), and Dora Doll (Maniac Killer).

Angel of Death is one of those movies that's so bad it's strangely captivating. While the premise and settings offer potential for an authentic thriller, the execution falls short. The shootouts provide some entertainment, albeit with dated flair, and are arguably the film's highlight. However, the wardrobe choices leave much to be desired, with instances like a character sporting boat shoes and wool socks that distract from the narrative. The portrayal of "Nazis" feels superficial, lacking the authenticity of proper uniforms and relying on arm bands and plainclothes. Sniper scenes feature peculiar visual effects, while dirt bike sequences elicit unintended laughter. The martial arts scenes are particularly cringe-worthy. The martial arts expert🥋 commando literally kicks a guy into the pool in his big action scene, like you'd do with your friends as a kid. The makeup and bandages on the experimental subjects are more likely to induce laughter than horror.

In conclusion, Angel of Death's sheer awfulness compels you to keep watching, if only to witness how much worse it can get. I'd rate it a 3/10 and suggest giving it a single viewing, if only for only the experience. 😂

The fabulously cheesy Boys from Brazil ... in Uruguay!

[Coventry · 6/10 · 3 December 2008]

Devoted cult film fanatics already know better than to pay any attention to the low ratings of obscure and infamous titles around this website, but I would still like to emphasize the fact that the miserable 2.1 out of 10 rating for "Commando Mengele" should be disregarded blindly! Despite being a total rip-off of "The Boys from Brazil", despite the involvement of reputedly awful European film-makers (like Jess Franco and Andrea Bianchi) and despite the at times intolerably high level of tackiness, this is one outrageously entertaining and delightfully provocative gem! It's a bad film but in the best possible way: dumb but never boring, full of plot holes and incoherent as can be, gory and vile but never shocking and boosting acting performances that are even worse than those in a kindergarten play. A young couple discovers the hideout place of the fugitive Nazi monster Dr. Mengele in a remote little Uruguayan mountain and promptly he doesn't like unwelcome visitors. The girl dies but this guy Marc teams up with a former nightclub dancer who Mengele selected as his mistress. Whilst awaiting green light from the Jewish Nazi-hunters commando to attack, Marc gathers together a specialist fighting unit containing an acrobat, an artillery expert, a martial arts champion and a technician, all of which have a personal score to settle with the Nazi butcher. But they'll have to hurry up, as Mengele and his sidekick Wolfgang have readily developed plans to found The Fourth Reich. "Commando Mengele" is fast-paced and full of crazy action, but you'll have the most fun spotting all the things that are just plain wrong! Like all the contradictions in the script, for example, or the fact Howard Vernon (a Jess Franco regular) didn't even bother to do some research regarding Mengele's appearance! Vernon looks and acts like his own usual self, without a fake mustache or a trying to talk with a German accent. The finale is one fantastically spectacular smörgåsbord of action and crazy twists, and in the end we STILL don't know for sure whether the bastard is dead or not! Awesome stuff.

"Sure, that'll be good enough," said the director. "It wasn't," says the viewer.

[I_Ailurophile · 2/10 · 3 February 2023]

Oh, how visibly low-budget this is. It's immediately detectable in the extra excitable cinematography, curt editing, uneven sound design, oddly meek costume design, and "yeah, no, that's good" direction. To these facets add dialogue, scene writing, characters, and exposition that are Just So, and sometimes laughably perfunctory. The story is passable in the most uselessly broad of strokes, and plot development, but it really feels like after a basic concept was pitched, the rest of the screenplay was cobbled together just to loosely assemble a picture around it. All this definitely does reflect in turn on the acting, and it often comes across that the players are Just Getting By, or in sometimes plainly overacting - though in some cases I'm unsure if they're simply not very good at their trade. True, one may expect such qualities from movies that Jesus Franco was involved with, in varying proportions, but still 'Angel of death,' also known as 'Commando Mengele,' readily shows itself to be a viewing experience only for ardent fans of the filmmaker or the blithely curious. And even then, let me be frank: it's not recommendable.

I do like Norbert Verrone's music, though some of it is weirdly repetitive, and other themes are peculiarly out of place. The filming locations are lovely. I'm unclear whether it's Franco or Andrea Bianchi who is to be credited as director (or maybe both?), but while that aspect is seemingly content with a single take of every moment, it's technically proficient. For the most part this isn't outright bad, just unmistakably weak owing both to limited resources and limited skills. Yet when the question turns to the screenplay whipped up between Georges Friedland and Marius Lesoeur in addition to Franco, the whole absolutely falls apart right in front of our eyes. 'Angel of death' at least maintains a steady pace, such that it seems to go by rather quickly. Yet "cobbled together" really does feel like the best phrase to describe the plot; the premise seems clear enough, but it belies a story that in actuality is thin, almost haphazard in its construction, and roundly unconvincing in multiple capacities. The movie doesn't inspire excitement so much as it does considerable skepticism: characters come together in flimsy fashions, and we never get a clear idea of who they are; scenes are written and executed with the tack of "sure, that'll work"; specific advancement of the narrative is marginally slow and a little oblique. Some shots are repeated while others have no purpose; some moments are repetitive as they are employed, and others are needlessly embellished with slow motion; no few small details decidedly raise a quizzical eyebrow.

It sounds promising from the outside looking in, but it doesn't take long to start forming an unfavorable impression, and that impression is only augmented and confirmed as the feature progresses. The single most admirable element here might be the practical effects, but what is that saying? The action-oriented climax is reasonably well done (though still not written well), but by that point, does it matter? 'Angel of death' comes off as a production where all involved were doing the bare minimum, and even at that, either not especially trying, totally incapable, or so restricted by the resources available to them as to give off those airs. "I suppose that'll do" was apparently the order of the day, but whoever was managing the project, they were emphatically mistaken, for the final cut is one instance after another of dubious craftsmanship. As indisputably fishy as some story ideas or otherwise inclusions are, somehow as the title enters the third act it still manages to become even more shady. To be blunt, my favor waned more and more over these ninety minutes until watching ultimately became a chore. There was some potential in the concept, and in a scattering of the notions herein, yet by and large the end product might the worst possible rendition of that concept. I congratulate those who get more out of the feature than I do, but the number of people who could earnestly enjoy it is surely very small. Leave 'Angel of death' for Franco devotees and those who, for better or worse, will watch anything; everyone else, move along.

This movie is...

[theslowwizard · 10/10 · 13 February 2004]

This movie is horrible, awful, ridiculous, and stupid. I advise everyone to watch it immediately. It has anti-climactic kung-fu slow motion sequences, outraged Jewish circus performers, and evil monkey/human nazi experiments. Watch this and I promise you will be dumber after having seen it. You will probably drop out of college or high school once you behold the magic that is Angel Of Death (aka Commando Mengele). Oh yeah, it was written by Jess Franco and directed by Andre Bianci (Burial Ground: Nights Of Terror).

Action collaboration of Andrea Bianchi and Jesus Franco

[andreygrachev · 7/10 · 31 October 2008]

Weird and funny action in South America film. It is the result of collaboration between two rather bright European b movies masters. And it looks more like Franco's film, than Bianchi's. It is one of those banana super actions, with jungle locations, naked women, senseless story. But it has absurd and drive indeed. It looks like comics in some parts and have lo fi special effects amusement. The characters including Howard Vernon are nice and they make that real-time two-weeks made drive. The fans of Commander Strike, Oasis of the zombies will probably love this super-improvised hallucination etc.

www.myspace.com/neizvest

Note to Producers: You always get what you pay for

[daniel-mannouch · 4/10 · 15 September 2018]

It really should be better with the contributions of two of Eurotrash's most insane persons of interest, but its not. Why? One word. Eurocine.

Why have i got the idea that the French take pride in making films with no money? This company probably has a lot do with that. You couldn't have made an interesting film with Eurocine even if you tried. I have watched too much of their output and it's all been meandering crap and this is no exception.

I am fully convinced that the minimal WTF value of this piece goes solely to Franco and Bianchi + their regulars. Eurocine just wanted to cash in on the 80's action craze using a pittance and these two f'ing guys gave us something that could be considered even remotely watchable.

I just cannot get over how light this film feels despite achieving the olympian feat that was jumping over it's plot holes, sprinting between tones with equal measured nuance and brute force as well as deadlifting thousands of lbs of useless yet bafflingly engaging character dimension.

Did i get what i want? God, i don't know. Another case of the kindest thing being able to say about a movie is that it exists in an impoverished world of it's own.

Good Elements but Fails to Capture the Sleaze Needed

[Reviews_of_the_Dead · 5/10 · 11 March 2024]

Now this is a movie that I didn't hear about until getting it in a box set for review from Full Moon thanks to Laura from Scandal Coactive. It is interesting that along with this, I got a borderline softcore porn that was directed by Jesús Franco and seeing that he started directing this, I thought this would be more graphic. Without playing my hand too much, let me get into this.

Synopsis: a Jewish commando unit hunting Nazi war criminals tracks down the infamous Dr. Mengele (Howard Vernon) in the jungle and find that he is torturing nubile young virgins and performing horrible medical experiments on the locals. They prepare to battle their way past Mengele's hordes of fanatic Nazi bodyguards to get him.

We start this off with a vehicle leaving a compound a car tailing them. In the one car is Aaron Horner (Jack Taylor). He is a Nazi hunter and they believe that this guy is Mengele. He is working with Ohmei Felsberg (Fernando Rey) who is back in Europe. There is a showdown outside of town, leaving the guy dead. It doesn't look like this is who they're after though.

That is when we meet Marc Logan (Antonio Mayans) as he is hanging out with his girlfriend, Rachel (Annick Laine). They're watching a television program about the Nazis and that they're taking refuge in South America. It also refers to the murder that we started off with as well. It ends with the hunt for Mengele still ongoing.

There is a break though when Rachel gets a call at work from a former co-worker, Eva (Suzanne Andrews). She wants to meet with her friend. The first time she says that she believes the man she is living with is Mengele but going by the name Carl Hermann. This sparks interest to check out the compound from Marc. Rachel is killed in the process. He starts to recruit people around him. They relay what they believe to Ohmei and Aaron. They need proof though.

I should also say that we see within the compound. Josef's right hand is Wolfgang von Backey (Christopher Mitchum) and there are terrible things being done here. Josef is aided there by Gertrud (Shirley Knight). This group from the village is up against a force stronger than they're expecting as they try to start the 4th Reich.

That is where I'll leave my recap and introduction. Where I want to start is that the synopsis and concept are much better than what we get here. It is odd since the Franco films I've seen in the past tend to be more surreal, full of nudity or violence. This one doesn't get much of any of that. There's a good idea for the basis. The problem I feel is that from everything I've read, this was a troubled production to the point where Franco left the project before it was completed, having Bianchi to step in.

Now that I've set that up, I love the idea of these Jewish commandos looking for revenge and hunting Nazis. I believe that it is common knowledge now that the Nazis fled from Germany as things got bad. The majority went to South America. Using that as a basis is good. I thought that Vernon does good as Mengele. He doesn't play it over the top. He seems like a nice, older gentleman hiding a secret. Having a compound where they're training soldiers is believable. Trying to create the 4th Reich is also not out of the realm of possibilities.

The problem is that this is boring. It struggles to build any tension. I will credit this that they weren't afraid to kill characters. During the climax, which piqued my interest with seeing that. The action sequences aren't great though. There is a guy doing karate and they use slow-motion for him. There is a guy with a crossbow which was a good touch. We have where the good guys shoot someone and they die instantly. I could just tell that this wasn't working with the biggest budget and it is during these that it shows. The cinematography was fine though. I don't think this was shot poorly. There is a great 'theme' to when things get tense. It is a variation on synth-wave that would be prominent in the era. I did enjoy that. The rest of the score fit for what was needed.

Let's then go to the acting, which should be the last thing to look at. It is interesting that I didn't know until seeing this that Robert Mitchum had two sons. One of them is in this movie as Wolfgang. I thought he was solid as this henchmen, Nazi character. Vernon was a good Mengele. There are too many limitations but he was solid. He shifts to being downright evil as this goes on though. Andrews worked as Eva. Rey is in a limited role as this mastermind of the Nazi hunters. Taylor worked as the one who collaborated closely with him. I thought that Mayans was good as our lead. I'll also credit Laine for her limited role. The rest of the cast was fine to round this out.

In conclusion, this isn't a good movie. I'm not sure how much of that is budgetary and if the fact that Franco started this, then left before it was completed. There are good things here. I love exploring the 'what-if' Mengele escaped to South America to form the 4th Reich. This just didn't have the resources to make it fully work. It isn't a bad action film though. I will say that. The acting was solid. This was boring unfortunately. I'd only recommend this as a curiosity for Franco or Bianchi fans. Or if you enjoy low-budget action movies.

My Rating: 4.5 out of 10.

Very low budget, but fun Jess Franco/ Andrea Bianchi madness!

[Millers-Retro-Drive-in · 6/10 · 8 January 2022]

This 1985 film was definitely a rip-off of the very successful Boys From Brazil, but with some brand new ideas, twists and scenery. I think it was a brilliant decision for them to essentially have Mengele running an Army in South America. I also enjoyed the slight glimpses we catch of his creations, although they weren't very long scenes. Overall, no nudity, which is extremely rare for both Bianchi and Franco, especially the latter. Nevertheless, the action starts off immediately, then withers off for around thirty minutes, before kicking back into gear. If they would've added some more action in that dull period, along with plenty more sleaze, then this would have been one Hell of a movie. Instead, we got this extremely low budget film, with very funny fight scenes and one explosion in particular that is priceless. So basically good for some laughs and a few clever ideas with what to do with the fictional version of Josef Mengele. Also a must for.fans of either director.

I love almost everything eurocine released in the 1970s and early 80s

[joshjack-35680 · 8/10 · 19 April 2020]

I have the substance release of this film...not great quality but pretty watchable. I can't wait til someone like full moon features rereleases this film and restores it. Great 80s action...extremely cheezy but awesome