The oddest thing about this film to me was how heavily it borrowed from Max Headroom: 20 Minutes Into The Future. A whole section of it was almost a straight lift from Bruegel and Mahler cruising the ruins in search of lucrative deposits to be cashed in at Nightingales Body Bank. This couldn't have been an accident, as the end theme music was almost identical. Elsewhere it was a hotchpotch of borrowed themes, probably starting at Eraserhead and working its way through any number of long-forgotten dark films and TV episodes.
Of the cast, only Johann Myers was immediately recognisable to me, from his underplayed yet still chilling role as David Harewood's enforcer in the truly terrifying Criminal Justice. One or two others looked vaguely familiar, probably having bit-parts in The Bill in the 1980s. This didn't matter, as no stars were needed or even wanted in this film, for which the main requirement was to invest in the project with the slightly bewildered detachment required to pull it off. The party scene was strangely reminiscent of the currently popular style of many TV comedies, which instead of good old-fashioned jokes, rely on provoking feelings of extreme embarrassment and discomfort.
The film itself seems to have come to life in a strange and unusual way, being an Estonian project but using a mixture of British and European actors with National Lottery Funding. I thought the original Max Headroom film was a ground breaking classic, but I can't make my mind up whether it being flattered in this way should be viewed in a positive or negative way. I can't even make my mind up whether being a homage to one of my favourite films made me mark it up or down.
Of the cast, only Johann Myers was immediately recognisable to me, from his underplayed yet still chilling role as David Harewood's enforcer in the truly terrifying Criminal Justice. One or two others looked vaguely familiar, probably having bit-parts in The Bill in the 1980s. This didn't matter, as no stars were needed or even wanted in this film, for which the main requirement was to invest in the project with the slightly bewildered detachment required to pull it off. The party scene was strangely reminiscent of the currently popular style of many TV comedies, which instead of good old-fashioned jokes, rely on provoking feelings of extreme embarrassment and discomfort.
The film itself seems to have come to life in a strange and unusual way, being an Estonian project but using a mixture of British and European actors with National Lottery Funding. I thought the original Max Headroom film was a ground breaking classic, but I can't make my mind up whether it being flattered in this way should be viewed in a positive or negative way. I can't even make my mind up whether being a homage to one of my favourite films made me mark it up or down.