It's very much a French film: literary (sic); philosophical. People are not so much living life as observing themselves living life. Not so much having an argument as observing an argument being had.
There are elements of light farce, particularly in the relationship between Anaïs and Daniel (aka DMB). So it appears this film is not intended to be taken all that seriously.
I was expecting "the loves of Anaïs" to be more numerous. But really the focus is exclusively on Anaïs's relationships with Daniel and Emilie. The final scene between Anaïs and Emilie is a little jarring, as if Anaïs is finally forced to wake from her daydream.
There are elements of light farce, particularly in the relationship between Anaïs and Daniel (aka DMB). So it appears this film is not intended to be taken all that seriously.
I was expecting "the loves of Anaïs" to be more numerous. But really the focus is exclusively on Anaïs's relationships with Daniel and Emilie. The final scene between Anaïs and Emilie is a little jarring, as if Anaïs is finally forced to wake from her daydream.