The hypocrisy of key Church figures who condemn the sensuality of the painter, all the while competing to hoard his art seems bizarre, the figure of Caravaggio becomes an attractive and sympathetic revolutionary hero in a secular era. While his animalistic rutting grosses me out he gets the best lines. The investigator who travels around interviewing witnesses is so intent on his task he becomes one-dimensional. But the film suffers from such poor narrative construction that it becomes tedious and repetitive, gradually dulling my interest. If the powerful originality of the artist's output were shown more clearly I would have found it more enjoyable.
Review of Caravaggio's Shadow
