A woman is a woman, the only joyful movie Godard has ever made. It's also the third movie of Godard's creative career
Not much else needs to be explained, Godard is still Godard, and the style oozes off the screen from the inside out.
According to sources, during the filming period, the film visited Strasbourg, the oldest place in Paris, and found a couple willing to provide accommodation for filming, but did not expect to return in the end, Godard had no choice but to set up a studio by himself, and in the studio built an identical house, in which Godard is still Godard. The studio was good for the rest of the set, after all it was easier to maneuver with the ability to move the walls and ceilings, but Godard didn't allow anyone to move the set, and even locked the door at the end of each session, so that the next day you had to wait for Godard to open the door before you could go in and shoot. We need to understand this seemingly unnecessary behavior from a realist point of view, "The camera should not create the facts it records, but record the reality that exists independently of the camera." I think it's Godard's own "mental cleanliness."
This film is also the first color film in Godard's life, as if a volcano that has been suppressed for a long time has erupted into a different kind of color, amazing use of color, strong red, blue, white, let people gasp and applaud for it!
Not much else needs to be explained, Godard is still Godard, and the style oozes off the screen from the inside out.
According to sources, during the filming period, the film visited Strasbourg, the oldest place in Paris, and found a couple willing to provide accommodation for filming, but did not expect to return in the end, Godard had no choice but to set up a studio by himself, and in the studio built an identical house, in which Godard is still Godard. The studio was good for the rest of the set, after all it was easier to maneuver with the ability to move the walls and ceilings, but Godard didn't allow anyone to move the set, and even locked the door at the end of each session, so that the next day you had to wait for Godard to open the door before you could go in and shoot. We need to understand this seemingly unnecessary behavior from a realist point of view, "The camera should not create the facts it records, but record the reality that exists independently of the camera." I think it's Godard's own "mental cleanliness."
This film is also the first color film in Godard's life, as if a volcano that has been suppressed for a long time has erupted into a different kind of color, amazing use of color, strong red, blue, white, let people gasp and applaud for it!