The original "Perry Mason" TV show was one of the classics of its time. Running for nine years from 1957-1966, the series had everything going for it: good writing, great music, exceptional acting, and all the rest of it. Raymond Burr played Perry Mason so well that it became difficult to see anyone else playing him; likewise, the rest of the cast, including Barbara Hale as Della Street and William Hopper as Paul Drake, fit their roles so well that any attempts at using other actors would hardly be acceptable to viewers.
But, TV producers being the way they are, there was of course an attempt to reboot the show in the 1970s, because they just couldn't stand the idea of not piggybacking off of an iconic show after running out of other ideas. Enter "The New Perry Mason", a short-lived series that made it only a half season before being cancelled. While this series certainly isn't terrible, there's no reason to rate it particularly high in view of the fact that this same idea had already been done before in a much better way - that of course being in the original series itself. Nothing that made the original so good is present in this reboot - at best, everything is mediocre. It's understandable why this show flopped, even if it wasn't the worst - it couldn't live up to the original, and there was really no point trying to make it do that considering they couldn't even use the same actors as before.
To start off, there's the theme song. "Park Avenue Beat" from the original is replaced with a semi-memorable fanfare that hardly captures the tone of what the series is really about. While not bad, this theme song hardly lives up to the original theme by Fred Steiner and already makes it incredibly difficult for one to give the series a chance after years of the old show. They certainly weren't giving it their best effort - something which can be said for the entirety of the show.
As for acting, there's very little to write home about here as well. Monte Markham is cast in the role of Perry Mason, but of course he's no Raymond Burr. While Markham does carry himself well onscreen, that's about all that can be said for his performance - otherwise, he clearly lacks the presence that Burr brought to the role which makes it a tough sell. Sharon Acker is unexceptional as Della Street and looks like some 70s fashion model - and there's hardly any screen chemistry between her and Markham like Burr and Barbara Hale had. The same can be said about Albert Stratton's performance as Paul Drake: bland, nothing special, and certainly not living up to William Hopper. All in all, the trio in this series doesn't at all fit together well like the original trio did, and if the producers wanted to keep the show, that would have to be the first thing to fix.
Harry Guardino, likewise, doesn't really bring anything new to the role of Hamilton Burger. To be honest, his physical appearance reminds me more of someone who should be playing some pipe-smoking sherlock more than someone who should be playing a District Attorney. The biggest injustice, however, is Dane Clark as Lieutenant Tragg, who has no smug manner about him like Ray Collins, nor any trace of humor (for example, the writers literally gave him a great opportunity to be just like the original Lieutenant Tragg when they wrote in the part about his "sensitive instrument" - but when Clark says it, he's completely humorless).
When it comes to the writing, there's nothing too bad to be said, although the writers certainly could have written in some things that would give the cast a better chemistry. The stories are as creative as ever, which is perhaps the best thing to be said about the show, but without the proper cast to carry them out, they don't really have the same feel as the original.
To conclude, "The New Perry Mason" reeks of mediocrity - from music to acting, there is nothing that makes this show special. It's not bad, but it's not very good, and to be honest, I see no reason to watch it as a casual observer considering a far better show was already made (that being the original Perry Mason). The only people I can truly recommend this to are diehard Perry Mason fans who want to watch everything Perry Mason - and even then, I doubt they'd be impressed with it after becoming so used to the old show.
But, TV producers being the way they are, there was of course an attempt to reboot the show in the 1970s, because they just couldn't stand the idea of not piggybacking off of an iconic show after running out of other ideas. Enter "The New Perry Mason", a short-lived series that made it only a half season before being cancelled. While this series certainly isn't terrible, there's no reason to rate it particularly high in view of the fact that this same idea had already been done before in a much better way - that of course being in the original series itself. Nothing that made the original so good is present in this reboot - at best, everything is mediocre. It's understandable why this show flopped, even if it wasn't the worst - it couldn't live up to the original, and there was really no point trying to make it do that considering they couldn't even use the same actors as before.
To start off, there's the theme song. "Park Avenue Beat" from the original is replaced with a semi-memorable fanfare that hardly captures the tone of what the series is really about. While not bad, this theme song hardly lives up to the original theme by Fred Steiner and already makes it incredibly difficult for one to give the series a chance after years of the old show. They certainly weren't giving it their best effort - something which can be said for the entirety of the show.
As for acting, there's very little to write home about here as well. Monte Markham is cast in the role of Perry Mason, but of course he's no Raymond Burr. While Markham does carry himself well onscreen, that's about all that can be said for his performance - otherwise, he clearly lacks the presence that Burr brought to the role which makes it a tough sell. Sharon Acker is unexceptional as Della Street and looks like some 70s fashion model - and there's hardly any screen chemistry between her and Markham like Burr and Barbara Hale had. The same can be said about Albert Stratton's performance as Paul Drake: bland, nothing special, and certainly not living up to William Hopper. All in all, the trio in this series doesn't at all fit together well like the original trio did, and if the producers wanted to keep the show, that would have to be the first thing to fix.
Harry Guardino, likewise, doesn't really bring anything new to the role of Hamilton Burger. To be honest, his physical appearance reminds me more of someone who should be playing some pipe-smoking sherlock more than someone who should be playing a District Attorney. The biggest injustice, however, is Dane Clark as Lieutenant Tragg, who has no smug manner about him like Ray Collins, nor any trace of humor (for example, the writers literally gave him a great opportunity to be just like the original Lieutenant Tragg when they wrote in the part about his "sensitive instrument" - but when Clark says it, he's completely humorless).
When it comes to the writing, there's nothing too bad to be said, although the writers certainly could have written in some things that would give the cast a better chemistry. The stories are as creative as ever, which is perhaps the best thing to be said about the show, but without the proper cast to carry them out, they don't really have the same feel as the original.
To conclude, "The New Perry Mason" reeks of mediocrity - from music to acting, there is nothing that makes this show special. It's not bad, but it's not very good, and to be honest, I see no reason to watch it as a casual observer considering a far better show was already made (that being the original Perry Mason). The only people I can truly recommend this to are diehard Perry Mason fans who want to watch everything Perry Mason - and even then, I doubt they'd be impressed with it after becoming so used to the old show.