8/10
Yet another take on the Arnold Rothstein story...
4 June 2023
... with "The Czar of Broadway" being a different film made in the same year loosely based on the famous gambler's life.

John Marsden (William Powell) is a big time professional gambler who goes by the name "Natural Davis" when gambling. He has an office where he is supposed to be buying and selling bonds that acts as a front. John has a baby brother "Babe" (Regis Toomey) who lives on the west coast and who has very recently married Judith (Jean Arthur). They have come to New York City on their honeymoon. What Judith doesn't know is that Babe has run up John's wedding gift to them of ten thousand dollars to fifty thousand dollars by gambling and intends to continue gambling in New York to get the 150K that he needs to buy into the partnership of a firm. At the same time, John's wife Alma (Kay Francis) has served him with divorce papers after a six month separation, and she will not consider reconciling unless John retires as a professional gambler and leaves town with her.

John agrees to stop gambling and leave town with his wife, but shortly thereafter finds out that his brother is getting way in over his head gambling with the kinds of hoods who work along Broadway, and he's put in the position of either having to stop his brother and save him from the path he's been on all of these years, or have one last chance with his wife. Complications ensue.

William Powell played villains through 1928 at Paramount as his looks - if you knew nothing about his voice - allow him to look rather menacing. This was one of those films in which he was playing a bigger role than the types he had in the silent era, yet he is still playing a rather dark character. In spite of some of his more dastardly deeds, though, he is a relatable and even sympathetic protagonist.

I wish this film was better known, and I'd recommend this one. It has plenty of atmosphere - it's almost noirish in style and substance rather than a precode - and it is a good showcase for the talent of the main players, although Jean Arthur is almost unrecognizable here.
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