Arthur Lovegrove has had a typically bad night betting on the dogs. A gentleman buys him a couple of drinks, and suggests he might make a few extra dollars; he drives the bus carrying prisoners to prison. Later, we see them and their warders -- one of whom has been killed -- taken to a barn. The place is loaded with paraffin, and should any try to escape, it will be lit. Several of them find an escape hatch, and we learn about them, and why they are there, as the police try to figure out where they are.
Some are there for good reason, like Harry Fowler, a career thief; he bonds with Terence Longden, who killed in hand-to-hand struggle a man trying to rape his wife. Then there's Peter Sallis as a slow-witted crazy man, in a role far from his usual acting jobs.
It's handled nicely by director Montgomery Tully, with some nicely drawn characters. Cameraman Geoffrey Faithfull, whose career as a cinematographer stretched almost 60 years gets to handle a nice final night scene.
Some are there for good reason, like Harry Fowler, a career thief; he bonds with Terence Longden, who killed in hand-to-hand struggle a man trying to rape his wife. Then there's Peter Sallis as a slow-witted crazy man, in a role far from his usual acting jobs.
It's handled nicely by director Montgomery Tully, with some nicely drawn characters. Cameraman Geoffrey Faithfull, whose career as a cinematographer stretched almost 60 years gets to handle a nice final night scene.