The suspense crafted from every element elevates Arswendi Nasution and Kevin Ardilova's performance. The plot is straightforward, but the nuance that creeps in as the film progressed is what makes this eerie; how close to reality it is to have a powerful figure from a certain institution abuse their power in order to collect more power or simply stay relevant, how perceivably normal it is that a son is so much sought after in the patriarchal misguided interpretation of "legacy", how more of often than not people keep being blinded by the possibility of gaining power no matter how low they can humanely be, and how capitalism agenda has always cruelly successful in putting public interest aside. The story may be a work of fiction, but the title very much reflects its true meaning in our real lives.
Review of Autobiography
