Former vaudeville dancer Tony West (George Raft) finds Hollywood stardom when he teams with Gloria Vance (Vera Zorina), but their success is interrupted by the outbreak of WWII. Tony devotes his energy to organizing USO shows for troops both stateside and overseas, but it causes strain with his partner. Also appearing are dozens of film and radio stars as themselves, including Marlene Dietrich, Orson Welles, Jeannette MacDonald, Donald O'Connor, Peggy Ryan, Dinah Shore, the Andrews Sisters, Sophie Tucker, Arthur Rubinstein, Martha O'Driscoll, Maxie Rosenblum, W. C. Fields, and many more.
I'm a sucker for these WWII-era all-star revue type pictures. They're positive and up-tempo looks at the tastes of the time, and the best-foot-forward showmanship is a delight. I thought the same of this one, as the Raft-Zorina plotline is a big nothing, but the various music performances are very enjoyable. Outside of the songs, I also liked a stage-magic performance by Welles with an assist from Dietrich. Fields makes his final film appearance, looking sick and old, performing some of his old billiards gags, a nice callback to his first film appearance in 1915's Pool Sharks.
The film has several subtle but poignant looks at then-current race relations. During a big confab featuring execs and stars from all of the major Hollywood studios, we see various stars stand up and pledge to help out in the USO-style efforts. At one point we see Louise Beavers declare that she'll do what she can to help, and I noticed that all of the black actors and actresses were segregated into their own section of the auditorium, separate from the white attendees. Later, Raft's character is approached by a black soldier asking for entertainment for his fellow troops. Raft vows to do so, and we cut to Louis Jordan and his band performing for an all-black regiment. Unlike the previously seen white troops, who were seated on bleachers in an amphitheater setting, the black soldiers are all seated on the ground, with the band performing in the back of a pickup truck. It's a stark reminder of the advancements made since this period. This scene does contain one of the film's best moments, though, when it begins to rain and Raft jumps up into the back of the truck and does some exuberant dance moves. The movie earned one Oscar nod, for Best Song ("I Walk Alone"), performed by Dinah Shore.
I'm a sucker for these WWII-era all-star revue type pictures. They're positive and up-tempo looks at the tastes of the time, and the best-foot-forward showmanship is a delight. I thought the same of this one, as the Raft-Zorina plotline is a big nothing, but the various music performances are very enjoyable. Outside of the songs, I also liked a stage-magic performance by Welles with an assist from Dietrich. Fields makes his final film appearance, looking sick and old, performing some of his old billiards gags, a nice callback to his first film appearance in 1915's Pool Sharks.
The film has several subtle but poignant looks at then-current race relations. During a big confab featuring execs and stars from all of the major Hollywood studios, we see various stars stand up and pledge to help out in the USO-style efforts. At one point we see Louise Beavers declare that she'll do what she can to help, and I noticed that all of the black actors and actresses were segregated into their own section of the auditorium, separate from the white attendees. Later, Raft's character is approached by a black soldier asking for entertainment for his fellow troops. Raft vows to do so, and we cut to Louis Jordan and his band performing for an all-black regiment. Unlike the previously seen white troops, who were seated on bleachers in an amphitheater setting, the black soldiers are all seated on the ground, with the band performing in the back of a pickup truck. It's a stark reminder of the advancements made since this period. This scene does contain one of the film's best moments, though, when it begins to rain and Raft jumps up into the back of the truck and does some exuberant dance moves. The movie earned one Oscar nod, for Best Song ("I Walk Alone"), performed by Dinah Shore.