A cynical view of marriage and love relationships in Sweden in 1914. In a totally patriarchal society women are left to use sex and motherhood as a form of power, which effectively gives them a substantial slice of influence but does not bring them any happiness.
If women's destiny is to seek love, as one of the characters says, we don't see it at all in this film. It is forbidden to them by the established social model.
Due to Nykvist's beautiful cinematography and a lot of excellent actors that we are used to see in Bergman's movies, this would even seem, at first glance, to be a film by this director. But, unlike Bergman, who always imprints a strong ethical sense on his stories, here we are at the opposite end of the spectrum, a complete cynicism when it comes to human and social values. This is a real world, a dog world and not a principled world.
A pleasant surprise.
If women's destiny is to seek love, as one of the characters says, we don't see it at all in this film. It is forbidden to them by the established social model.
Due to Nykvist's beautiful cinematography and a lot of excellent actors that we are used to see in Bergman's movies, this would even seem, at first glance, to be a film by this director. But, unlike Bergman, who always imprints a strong ethical sense on his stories, here we are at the opposite end of the spectrum, a complete cynicism when it comes to human and social values. This is a real world, a dog world and not a principled world.
A pleasant surprise.