Far from Home (2022– )
4/10
There are better Nigerian series
21 December 2022
Far from home managed to garner a lot of attention even before it was released on Netflix, so it's no shocker that the young adult series blitzed its way to the top of Netflix's viewership charts, but, is it worth all the hype?

Far from home tries to thrive on the novelty of being Netflix's first Nigerian young adult series, and in doing so, poorly borrows from all the tropes that the genre is known for. The first episode opens deftly, trying to display the background of the protagonist and how he manoeuvres his way into Wilmer Academy (a school for the one-percenters), but everything goes downhill from here. Far from home is unabashedly centred on its protagonist, and seeing the sprawling number of supporting characters, removes the individuality of the supporting characters and doesn't propel character development.

The themes approached by the series are half-baked at best. The plot is messy, convoluted and filled with plotholes, and most egregiously, it builds up to a climax that's rushed.

The redeeming quality Far from home has is in its cast, locations and cinematography. The cast is a good blend of upcoming actors and a-list actors; Far from home also handles its cast carefully, making sure that the renowned actors (which it has a lot of, throwing them into cameos and smaller roles) don't overshadow the newbies. The cast can also be praised for bringing the best out of the poorly fleshed story they had to work with.

In all, Far from home is binge-able and enjoyable but its innumerable flaws would leave a bad taste, especially given how much better it could have been.
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