It's watching Steven Spielberg grow up from a child terrified by the train crash in THE GREATEST SHOW ON EARTH, to an adolescent film maker. He's pretty up front about the family issues and his parents' break up. I suspect he has realized that being an adult is a tough thing and is willing to forgive.
At 150 minutes, it should feel self indulgent, but it never does, thanks to a terrific performance by Michelle Williams as the mother and Paul Dano as the father. No one seems to be acting, which is half the Spielberg magic. There are also great cameos by Judd Hirsch as the profane uncle who was a lion tamer, and David Lynch as John Ford.
Some of the characters seem sketchily drawn, particularly the sisters, but that serves to emphasize Miss Williams, Dano, and Gabriel LaBelle as the Steven Spielberg character. Is she t that Spielberg and his frequent collaborator Tony Kühner, have drawn a fine portrait of a Jewish post-war family, when things were supposed to be so very bland... but really, people were living their lives.
At 150 minutes, it should feel self indulgent, but it never does, thanks to a terrific performance by Michelle Williams as the mother and Paul Dano as the father. No one seems to be acting, which is half the Spielberg magic. There are also great cameos by Judd Hirsch as the profane uncle who was a lion tamer, and David Lynch as John Ford.
Some of the characters seem sketchily drawn, particularly the sisters, but that serves to emphasize Miss Williams, Dano, and Gabriel LaBelle as the Steven Spielberg character. Is she t that Spielberg and his frequent collaborator Tony Kühner, have drawn a fine portrait of a Jewish post-war family, when things were supposed to be so very bland... but really, people were living their lives.