A shockingly dumbed down version for American audiences of an outstanding Austrian thriller, that lacks the impact, the brutality, the shock factor and the intelligence of its original. Instead you get the cinematic clichés, the sentimental overtones, the cheap musical dress-up and the spoon fed explanatory breakdown of a Hollywood style second class thriller. Watts is getting dangerously close to being typecast as the go-to actress for remakes, which can't be good for her legacy. The performances are fine overall nevertheless, are not sufficient however to even soften the crush that is the comparison between the two films. If you haven't seen any of them, do yourself a favour and watch the original without getting spoiled by this mediocre attempt of a crowd-pleaser.
Review of Goodnight Mommy
