For two years, Lionel Barrymore was the most famous actor-turned-director in Hollywood. The older brother of the famous Ethel and John Barrymore trio, Lionel had dipped his toe in the director's chair in the mid-1910s before solely concentrating on acting. He resumed directing in 1929 by handling a wall-to-wall talkie, August 1929's "Madame X." At the time, successful silent film directors were hesitant to tackle productions with microphones to capture verbal dialogue. The opportunities were wide open for those willing handle a new way of filming a movie with audio. Lionel was one of those people.
"Madame X," a popular adaptation of the 1908 play of the same name by French playwright Alexandre Bisson, had been filmed two times earlier, and has been remade nine times and counting after the 1929 version. That includes the 1966 Lana Turner and the 1981 Tuesday Weld movies. Stage actress Ruth Chatterton's character, Jacqueline Floriot, is thrown out into the streets by hubby Louis (Lewis Stone) for having an affair. He also prohibits her from seeing her son. Years later, she shoots her lover for trying to blackmail her ex, who's now the state's attorney general. Her assigned lawyer turns out to be her son. She only gives her name as Madame X, fearful of revealing her past.
Lionel's camera is largely stationary, a throwback to when he was directing movies in the mid-1910s where the camera barely moved, especially in drawing room dramas. But his work was appreciated by the Academy, nominating him for Best Director. One reason may have been he was one of the first to use an adaptation of a 'boom microphone.' During the production of "Madame X," Lionel had his audio people string a microphone on a fishing pole and position the apparatus high just out of frame to follow the moving actors. Previously, microphones were stationary, hidden in telephones or behind furniture. Lionel refused to take all the credit with the new innovation, stating in his 1951 autobiography that others in the industry had claimed to be the first in come up with the device. He stated, "All I can say is that in 1929 I recorded Miss Ruth Chatterton's voice with a fishing pole."
Chatterton, a famous stage actress, was encouraged by actor Emil Jannings to go into film. She appeared in her cinematic debut, 1928's 'Sins of the Father,' as well as two more movies before earning the lead in "Madame X." Her performance was so spectacular the Academy nominated her for Best Actress, only to be edged out by Mary Pickford during the second Awards' ceremony. Film exhibitors voted Chatterton as the second most popular draw in their theaters in 1929, second only to Norma Shearer. She starred in a number of highly successful movies in the early to mid-1930s, but tired of the movie set in 1938 to return to the stage.
Chatterton was passionate about flying. She was good friends with Amelia Earhart and piloted her own airplane crisscrossing America by herself several times.
As for the movie "Madame x," piano, organ and other instrumental players were still in demand by larger city movie theaters even though they were wired for sound. In some original prints of 1929 films seen today, the opening and closing credits contain no musical soundtrack. Theater owners in that short period wanted to make their customers feel like it was a special evening out to attend a movie. They hired musicians to play the opening and closing titles and had them sit or go out for a smoke while the movies were being played.
"Madame X," a popular adaptation of the 1908 play of the same name by French playwright Alexandre Bisson, had been filmed two times earlier, and has been remade nine times and counting after the 1929 version. That includes the 1966 Lana Turner and the 1981 Tuesday Weld movies. Stage actress Ruth Chatterton's character, Jacqueline Floriot, is thrown out into the streets by hubby Louis (Lewis Stone) for having an affair. He also prohibits her from seeing her son. Years later, she shoots her lover for trying to blackmail her ex, who's now the state's attorney general. Her assigned lawyer turns out to be her son. She only gives her name as Madame X, fearful of revealing her past.
Lionel's camera is largely stationary, a throwback to when he was directing movies in the mid-1910s where the camera barely moved, especially in drawing room dramas. But his work was appreciated by the Academy, nominating him for Best Director. One reason may have been he was one of the first to use an adaptation of a 'boom microphone.' During the production of "Madame X," Lionel had his audio people string a microphone on a fishing pole and position the apparatus high just out of frame to follow the moving actors. Previously, microphones were stationary, hidden in telephones or behind furniture. Lionel refused to take all the credit with the new innovation, stating in his 1951 autobiography that others in the industry had claimed to be the first in come up with the device. He stated, "All I can say is that in 1929 I recorded Miss Ruth Chatterton's voice with a fishing pole."
Chatterton, a famous stage actress, was encouraged by actor Emil Jannings to go into film. She appeared in her cinematic debut, 1928's 'Sins of the Father,' as well as two more movies before earning the lead in "Madame X." Her performance was so spectacular the Academy nominated her for Best Actress, only to be edged out by Mary Pickford during the second Awards' ceremony. Film exhibitors voted Chatterton as the second most popular draw in their theaters in 1929, second only to Norma Shearer. She starred in a number of highly successful movies in the early to mid-1930s, but tired of the movie set in 1938 to return to the stage.
Chatterton was passionate about flying. She was good friends with Amelia Earhart and piloted her own airplane crisscrossing America by herself several times.
As for the movie "Madame x," piano, organ and other instrumental players were still in demand by larger city movie theaters even though they were wired for sound. In some original prints of 1929 films seen today, the opening and closing credits contain no musical soundtrack. Theater owners in that short period wanted to make their customers feel like it was a special evening out to attend a movie. They hired musicians to play the opening and closing titles and had them sit or go out for a smoke while the movies were being played.