What can I say? This is a lot of fun! It's a B-grade action/crime thriller that knows exactly what it is, and stakes no claim otherwise. The backgrounds of the chief characters skirt the edge of Movie Magic contrivance, and their partnership completely blurs the line. Hair, makeup, and costume design are done well, such as they are, but it seems like all such contributions were specifically guided into pointedly exaggerated styles. The character of Hannah is written with definite overemphasis on her manner of speaking, and Alex Datcher absolutely leans into it, while filmmaker Terence H. Winkless' screenplay calls for similarly overt delivery at other points. One or two lines are repeated as a running joke, and there's cheeky levity built into how many scenes are written and orchestrated. The fight choreography is great, and any scenes of action are fun - and at the same time, though definitely a concoction of such second-tier fare as 'Rage and honor' represents, the story is pretty solid. No one will ever mistake this as something it's not - and it carries no such pretenses - and with that, it's easy to just sit back, relax, and enjoy the show!
Most martial arts flicks of this tenor don't especially require its cast to actually act. That's mostly true here, too, yet there are scenes in which the actors are expected to illustrate some range and nuance - and to my surprise, they rather succeed. No one will ever accuse this ensemble of being world-class performers, yet Cynthia Rothrock, Richard Norton, and somehow even Brian Thompson show glimmers of acting skill to lightly complement their considerable physical prowess. It's a great joy to see Toshishiro Obata here, even in a small supporting part, showing the same force of personality as Chan Lu as he has demonstrated elsewhere; Stephen Davies offers some welcome, consistent comic relief. They're helped by a gratifyingly balanced screenplay that undeniably has B-movie flavors, but some meaningful intelligence and heart as anchors. For all the blunt or overcooked dialogue, it's not insincere, and fits any given moment and the characters. Those characters are given strains of real, varied personalities, and values and beliefs. There's sufficient variety in the scene writing so the movie never feels stale, and enough wit and vigor to keep us engaged while propelling the narrative. And at that - if straightforward and not as completely gripping as it potentially could be, the plot is solid, ably serving its purpose as a vehicle for the action sequences.
Sure, it won't quite be up everyone's alley. If nothing else, I'll admit that it's not quite as high-energy a romp as I had hoped for. That utmost stimulation is traded in for a measure of genuineness to keep us watching; how effective it is - well, that's up to each individual viewer. All I can say is that for my part, I honestly had a good time. 'Rage and honor' is an imprecise blend of silliness and sobriety that somehow churns out a fair measure of entertainment in its content, and behind the scenes aspects like set design and decoration are pretty swell too, and Darryl Way's original music. Whether you're here for the stars, martial arts bombast, or just action generally, there are better features you could be watching - but I think 'Rage and honor' itself is quite well done itself.
Most martial arts flicks of this tenor don't especially require its cast to actually act. That's mostly true here, too, yet there are scenes in which the actors are expected to illustrate some range and nuance - and to my surprise, they rather succeed. No one will ever accuse this ensemble of being world-class performers, yet Cynthia Rothrock, Richard Norton, and somehow even Brian Thompson show glimmers of acting skill to lightly complement their considerable physical prowess. It's a great joy to see Toshishiro Obata here, even in a small supporting part, showing the same force of personality as Chan Lu as he has demonstrated elsewhere; Stephen Davies offers some welcome, consistent comic relief. They're helped by a gratifyingly balanced screenplay that undeniably has B-movie flavors, but some meaningful intelligence and heart as anchors. For all the blunt or overcooked dialogue, it's not insincere, and fits any given moment and the characters. Those characters are given strains of real, varied personalities, and values and beliefs. There's sufficient variety in the scene writing so the movie never feels stale, and enough wit and vigor to keep us engaged while propelling the narrative. And at that - if straightforward and not as completely gripping as it potentially could be, the plot is solid, ably serving its purpose as a vehicle for the action sequences.
Sure, it won't quite be up everyone's alley. If nothing else, I'll admit that it's not quite as high-energy a romp as I had hoped for. That utmost stimulation is traded in for a measure of genuineness to keep us watching; how effective it is - well, that's up to each individual viewer. All I can say is that for my part, I honestly had a good time. 'Rage and honor' is an imprecise blend of silliness and sobriety that somehow churns out a fair measure of entertainment in its content, and behind the scenes aspects like set design and decoration are pretty swell too, and Darryl Way's original music. Whether you're here for the stars, martial arts bombast, or just action generally, there are better features you could be watching - but I think 'Rage and honor' itself is quite well done itself.