After three episodes, this is shaping up to be a fabulous story, it is true, yet ambiguous enough to carry tension and suspense. The cast is magnificent with strong headliners and a depth unusually strong for TV.
The pacing is good, though the heavy use of short and long scene non-linearity is haphazardly delineated, with occasional timestamps, but no stylistic changes making frequent rewinding necessary. Cinematography is generally well done, but there are some sporadic gimmicky techniques which detract by being more showy than necessary.
Colin Firth has brilliant range as novelist Michael Peterson, the husband in the frame for his wife, Kathleen's, probable murder. Not surprisingly there are fine performances too numerous to mention from a cast of this stature.
A persuasive story very well told, episode four cannot drop quickly enough!
The pacing is good, though the heavy use of short and long scene non-linearity is haphazardly delineated, with occasional timestamps, but no stylistic changes making frequent rewinding necessary. Cinematography is generally well done, but there are some sporadic gimmicky techniques which detract by being more showy than necessary.
Colin Firth has brilliant range as novelist Michael Peterson, the husband in the frame for his wife, Kathleen's, probable murder. Not surprisingly there are fine performances too numerous to mention from a cast of this stature.
A persuasive story very well told, episode four cannot drop quickly enough!