Philippe de Broca revives with Jean-Paul Belmondo after the masterpiece The Magnificent (1973).
Jean-Paul Belmondo excels in this weepy, cowardly, profiteer, gifted for improvisation, clueless, ultimately sympathetic character, who becomes endearing, because he is ultimately not evil and is especially unsuited, to everything.
We appreciate the clown Jean-Paul Belmondo, who remains here in a frame that seems mastered by Philippe de Broca. We like Geneviève Bujold who tames the wild Jean-Paul Belmondo as well as all the other characters. We appreciate Julien Guiomar who is a master of delusions. Charles Gérard has for once a useful character (and is not just there because he is someone's boyfriend).
To complete this, the female cast is impressive: besides Geneviève Bujold, there are Capucine, Dora Doll, and Andréa Ferréol with unusual characters.
Jean-Paul Belmondo excels in this weepy, cowardly, profiteer, gifted for improvisation, clueless, ultimately sympathetic character, who becomes endearing, because he is ultimately not evil and is especially unsuited, to everything.
We appreciate the clown Jean-Paul Belmondo, who remains here in a frame that seems mastered by Philippe de Broca. We like Geneviève Bujold who tames the wild Jean-Paul Belmondo as well as all the other characters. We appreciate Julien Guiomar who is a master of delusions. Charles Gérard has for once a useful character (and is not just there because he is someone's boyfriend).
To complete this, the female cast is impressive: besides Geneviève Bujold, there are Capucine, Dora Doll, and Andréa Ferréol with unusual characters.