Hero Deathstalker teams up with beautiful female warrior to free a city from an evil Queen ruler.
The last installment of the Deathstalker tetralogy, opening with some great music from Simo Lazaro, along with a recap of the original Deathstalker and voice over narration from Maria Ford, Howard R. Cohen's Deathstalker IV: Match of Titans quickly dives into the realm of filmmaking dungeons.
Then subpar recycled music kicks in along with other short cut savings, reused footage from other Roger Corman produced productions including The Barbarian Queen (1985) complete with shoddy editing and sound design. The low budget sword and sorcery affair crams in clunky sword fights, self-parody machismo, gladiator action, gratuitous nudity, lion-men and warriors turned into stone-soldiers (disappointedly just grey makeup). Don't expect Ator: Fighting Eagle (1982) or anything resembling Conan the Barbarian (1982), even The Sword and the Sorcerer (1982).
Debatably it's more fun than the mid-nineties TV shows that it paved the way, including the abundance of Hercules, Young Hercules and Xena: Warrior Princess episodes. There's plenty to like, there's well dressed sets, Cohen's productions does benefit from quality costumes and real locations. It's also great to have the original Deathstalker actor Rick Hill reprise his role after being missing from the tongue-in-cheek Deathstalker II: Duel of the Titans (1987) toned down comedy of Deathstalker III: The Warriors from Hell (1988). None of the films deliver on the fantastical poster art work and this instalment is no different.
Nobody is looking for an Oscar and know what their making, but to the cast's credit they play it straight. Hill delivers some fancy sword and footwork. Maria Ford is pretty impressive with a sword and does a adequate job with Cohen's basic script. Fords narration pops up jarringly now and again for exposition. Michelle Moffett's villain sorceress Kana takes her top off as the script dictates. Like Ford, Moffett does well giving the dodgy script, even going as far to give some credence to the shenanigans. Memorable is Bulgarian actoress Anya Pencheva as Janeris who has plenty of screen presence but is sorely underused. Djoko Rosi outacts everyone as Highlander Kurgan sounding Rakshia.
Overall, there's an interesting story hiding beneath Cohen's laughable low budget offering, while it lacks the scope and execution of the Italian swords and sorcery, it's a lot more fun than it should be.
The last installment of the Deathstalker tetralogy, opening with some great music from Simo Lazaro, along with a recap of the original Deathstalker and voice over narration from Maria Ford, Howard R. Cohen's Deathstalker IV: Match of Titans quickly dives into the realm of filmmaking dungeons.
Then subpar recycled music kicks in along with other short cut savings, reused footage from other Roger Corman produced productions including The Barbarian Queen (1985) complete with shoddy editing and sound design. The low budget sword and sorcery affair crams in clunky sword fights, self-parody machismo, gladiator action, gratuitous nudity, lion-men and warriors turned into stone-soldiers (disappointedly just grey makeup). Don't expect Ator: Fighting Eagle (1982) or anything resembling Conan the Barbarian (1982), even The Sword and the Sorcerer (1982).
Debatably it's more fun than the mid-nineties TV shows that it paved the way, including the abundance of Hercules, Young Hercules and Xena: Warrior Princess episodes. There's plenty to like, there's well dressed sets, Cohen's productions does benefit from quality costumes and real locations. It's also great to have the original Deathstalker actor Rick Hill reprise his role after being missing from the tongue-in-cheek Deathstalker II: Duel of the Titans (1987) toned down comedy of Deathstalker III: The Warriors from Hell (1988). None of the films deliver on the fantastical poster art work and this instalment is no different.
Nobody is looking for an Oscar and know what their making, but to the cast's credit they play it straight. Hill delivers some fancy sword and footwork. Maria Ford is pretty impressive with a sword and does a adequate job with Cohen's basic script. Fords narration pops up jarringly now and again for exposition. Michelle Moffett's villain sorceress Kana takes her top off as the script dictates. Like Ford, Moffett does well giving the dodgy script, even going as far to give some credence to the shenanigans. Memorable is Bulgarian actoress Anya Pencheva as Janeris who has plenty of screen presence but is sorely underused. Djoko Rosi outacts everyone as Highlander Kurgan sounding Rakshia.
Overall, there's an interesting story hiding beneath Cohen's laughable low budget offering, while it lacks the scope and execution of the Italian swords and sorcery, it's a lot more fun than it should be.