After its end, you feel it more than a wise adaptation or a beautiful film. But a lovely embroidery of splendid cinematography, admirable acting and trip in past. A love story, a survive, in same measure, unique demonstration of high care for each detail and a touching confession, real useful in pandemic times, about gentle feelings, cholera and reactions around it and fight for the other. Juliette Binoche and her remarkable portrait of Pauline, Olivier Martinez, reminding, scene by scene, portrait of Gericauld and, off course, the reflection of Jean Giono lines. Result, a special state of soul, more than emotion, close to redefinition, in clear, fragile terms, of world meanings.
Review of The Horseman on the Roof
