Much maligned in its day as one of Hollywood's much too fervent attempts at atonement to the HUAC and McCarthy for having once hired so many communists, this slick Paramount picture made in 1952 remains a social document that reveals the right-wing views some members of the film community held during those dark days. It glorifies an idealized small-town family. Dad (Dean Jagger) is a solid hard-working citizen, a Legioner who finds time to toss around a football with his two blonde athletic sons about to fight the good war in Korea; he's a man who goes to church every Sunday. The flaw in the perfect unit is mother--who else?-- and her curse of too much Mommy love; Helen Hayes, for some reason, too obviously dotes on the son (Robert Walker) who doesn't play football, doesn't go to church, and prefers the company of college professors, yes professors, to his own family. He is, horror of horrors, a practicing self-admitted intellectual.
Needless to say, we eventually learn that any spoiled child brought up this way cannot be up to good. Despite this silly propogandist view of the true values of decent American life, the film is very well directed by the great Leo McCarey, excellently acted by all the leading players. Robert Walker, in his last film, is particularly effective as the non-athletic son with heretic (read unAmerican) views. If the film had been made a decade or so later, his secret would have been that he was gay, but as this is 1952, the sin is political.
Needless to say, we eventually learn that any spoiled child brought up this way cannot be up to good. Despite this silly propogandist view of the true values of decent American life, the film is very well directed by the great Leo McCarey, excellently acted by all the leading players. Robert Walker, in his last film, is particularly effective as the non-athletic son with heretic (read unAmerican) views. If the film had been made a decade or so later, his secret would have been that he was gay, but as this is 1952, the sin is political.