If an action movie is shot indoors, where the action isn't happening, if the screenplay keeps inventing imaginary conflict, if time-constrained decisions keep getting put off, if almost all the exposition is contained in phone calls, when the same shots are repeated, when a cast of hundreds is represented by six people and they keep saying the same things, in short, where every possible economy is visible and risible, you're watching something that doesn't merit the use of your senses.
Review of Megalodon Rising
