At their beloved's graveside, a grieving husband proposes a pact to his sister-in-law in the hope of restoring life to their dearly departed.
Dialogue-heavy two-hander that mostly feels like an old-fashioned morality tale, along the lines of be-careful-what-you-wish-for, but looking to deliver something more.
The opening scene is two actors expositioning - or maybe they're speaking in riddles that can only be worked out later. By the end, we circle round to a parallel scene, with a hint that this pattern will repeat - so the film-makers are taking a look at some aspect of death, which is intriguing and enough to forgive the drawbacks of low-budget and inexperience in the production.
But the opening is followed by another static scene, where the dialogue raises unspoken questions that might be down to the discrepancy between what appears to be going on and a hidden reality. The suspicion is that it's just a bit cack-handed, given the unexplained jump forward in time.
Eventually, we get to the ritual scene, which is effective and the first time the movie earns its spooky music. The possibilities open up, and the director lays on a couple of moments of weird, when the husband finds himself addressing a void, but I couldn't figure out what they signified. There's also a bleeding knife, which has to symbolize guilt, linking in a later scene to a heart, but I was still struggling to put everything together.
Good horror creates a weird world that actually maps back on to ordinary fears and struggles in a human way. So surely with twins there's a psychoanalytic truth about identity and doubling, some psychic path to a repressed horror? An exploration of what a woman goes through in subjecting herself to a husband, when her liberated self dies?
I'm not insisting on puzzle-solving, but there has to be a consistency and a purpose to those moments where the film-maker shifts out of the ordinary - the trick is to present it as an entertaining narrative, using all the skills of cinema, and to allow the audience to reach its own conclusion. Instead, we get splashes of gruesome symbolism and macabre oddities.
The performances and editing are fine, the cinematography and the lighting not very attractive, and the music for me was too deliberately spooky.
Overall: Digs its way out of the morality tale, only to stumble around the graveyard, bumping into headstones.
Dialogue-heavy two-hander that mostly feels like an old-fashioned morality tale, along the lines of be-careful-what-you-wish-for, but looking to deliver something more.
The opening scene is two actors expositioning - or maybe they're speaking in riddles that can only be worked out later. By the end, we circle round to a parallel scene, with a hint that this pattern will repeat - so the film-makers are taking a look at some aspect of death, which is intriguing and enough to forgive the drawbacks of low-budget and inexperience in the production.
But the opening is followed by another static scene, where the dialogue raises unspoken questions that might be down to the discrepancy between what appears to be going on and a hidden reality. The suspicion is that it's just a bit cack-handed, given the unexplained jump forward in time.
Eventually, we get to the ritual scene, which is effective and the first time the movie earns its spooky music. The possibilities open up, and the director lays on a couple of moments of weird, when the husband finds himself addressing a void, but I couldn't figure out what they signified. There's also a bleeding knife, which has to symbolize guilt, linking in a later scene to a heart, but I was still struggling to put everything together.
Good horror creates a weird world that actually maps back on to ordinary fears and struggles in a human way. So surely with twins there's a psychoanalytic truth about identity and doubling, some psychic path to a repressed horror? An exploration of what a woman goes through in subjecting herself to a husband, when her liberated self dies?
I'm not insisting on puzzle-solving, but there has to be a consistency and a purpose to those moments where the film-maker shifts out of the ordinary - the trick is to present it as an entertaining narrative, using all the skills of cinema, and to allow the audience to reach its own conclusion. Instead, we get splashes of gruesome symbolism and macabre oddities.
The performances and editing are fine, the cinematography and the lighting not very attractive, and the music for me was too deliberately spooky.
Overall: Digs its way out of the morality tale, only to stumble around the graveyard, bumping into headstones.