When director Robert Wise works on a small scale, with oppressive and/or claustrophobic settings, and uses less than mega box office actors, his films are usually good. Examples of this would be "The Set Up," "House On Telegraph Hill," "Andromeda Strain," "Odds Against Tomorrow" and "Born To Kill". It's also the case that when this director decides to go all "epic" on us he's a windy bore. I won't name those films, but you know who you are. Fortunately, this film is in the former category. It's just five characters in a creepy house and it grabs you from the get go with an effective montage of the house's macabre history and
keeps your interest with acute examinations of the personalities
of the main characters and the fear of the unseen.
What makes "The Haunting" so genuinely terrifying is the subtly expressed theme: that the house gradually devours Eleanor because her sad, pathetic life encapsulates the history of Hill House. This is made even clearer in the novel, where Hugh Crain had two daughters, who hated each other, and whose lifelong feud mirrors Eleanor's loathing of her own sister. Eleanor really has had no life up to this point - as a result she is emotionally all of thirteen. She doesn't get Theo's not so subtle hints that she is attracted to her. She also doesn't get that just because Professor Markway talks to her like a human being does not mean he is attracted to her. She's like the junior high kid in love with her teacher.
It has superb performances, a credible atmosphere, and gorgeous direction and cinematography. If you are after a body count ala John Carpenter look elsewhere, but if you like your horror implied this is worth your while.
What makes "The Haunting" so genuinely terrifying is the subtly expressed theme: that the house gradually devours Eleanor because her sad, pathetic life encapsulates the history of Hill House. This is made even clearer in the novel, where Hugh Crain had two daughters, who hated each other, and whose lifelong feud mirrors Eleanor's loathing of her own sister. Eleanor really has had no life up to this point - as a result she is emotionally all of thirteen. She doesn't get Theo's not so subtle hints that she is attracted to her. She also doesn't get that just because Professor Markway talks to her like a human being does not mean he is attracted to her. She's like the junior high kid in love with her teacher.
It has superb performances, a credible atmosphere, and gorgeous direction and cinematography. If you are after a body count ala John Carpenter look elsewhere, but if you like your horror implied this is worth your while.