James Franciscus gets top billing on this sequel, but producer Arthur Jacobs fortunately entrusted this (and the instalment that came after) to the sophisticated imagination of writer Paul Dehn, who nearly twenty years earlier had already shared an Oscar for his previous nuclear nightmare 'Seven Days to Noon'; and also wisely brought in Leonard Rosenman to write the new score.
'All Things Bright and Beautiful' will never be the same again once you've heard it chanted by the telepathic, cave-dwelling, bomb-worshiping mutants ("Glory to the Bomb and the holy fallout") who bear an eerie similarity to the ghouls Charlton Heston soon afterwards had to deal with in 'The Omega Man'.
Direction is by Ted Post, who also a good job on the underrated Harry Callahan dystopia 'Magnum Force'; while Linda Harrison once again resembles Raquel Welch's chic sixties cave girl in 'One Million Years BC'.
'All Things Bright and Beautiful' will never be the same again once you've heard it chanted by the telepathic, cave-dwelling, bomb-worshiping mutants ("Glory to the Bomb and the holy fallout") who bear an eerie similarity to the ghouls Charlton Heston soon afterwards had to deal with in 'The Omega Man'.
Direction is by Ted Post, who also a good job on the underrated Harry Callahan dystopia 'Magnum Force'; while Linda Harrison once again resembles Raquel Welch's chic sixties cave girl in 'One Million Years BC'.