Come True is an interesting one. The title has multiple meanings, the ending message also seems to have them.
Yet I still wanted it to be so much better. All the visual substance I enjoyed quite a lot. The soundtrack was strangely recognizable but still good. The production design was very reminiscent of Posessor (2020), as well as some of the lighting choices were. Also, the CGI nightmare cut-ins were creative, they felt inspired by some dark art themes, some videogame inspirations even, like Dark Souls and especially Darkwood, or maybe something else I'm not aware of.
Story-wise it is somewhat messy, there is a justification for this, but sometimes it feels really disconnected. The twist felt surprising but in a weaker way. At some point, it becomes clear that they are building up to something they cannot deliver cause they literally have like 2-3 long segments of build-ups that lead to nothing. The problem is that the type of story that they are using requires vague hints or better understandable symbolism. I've seen a couple of similar films but I don't want to name them to avoid spoilers. The way they did it just doesn't connect. Also, the idea of merging the real world with the subconscious nightmare world was awesome, but they still messed it up with that awkward twist.
There isn't much in terms of characters or character development. Some of the dialogue is interesting, but as I've said the characters do not drive the story, they could've been doing anything else or not doing anything at all, the ending would still be the same. This concept is similar to the Evil Within game series, actually.
I really hope that I've just missed the bigger picture (and possible hints) and the film is better than I understood it, but when I re-think what I just saw, I just can't find more good stuff to endorse. Worth a watch.
Yet I still wanted it to be so much better. All the visual substance I enjoyed quite a lot. The soundtrack was strangely recognizable but still good. The production design was very reminiscent of Posessor (2020), as well as some of the lighting choices were. Also, the CGI nightmare cut-ins were creative, they felt inspired by some dark art themes, some videogame inspirations even, like Dark Souls and especially Darkwood, or maybe something else I'm not aware of.
Story-wise it is somewhat messy, there is a justification for this, but sometimes it feels really disconnected. The twist felt surprising but in a weaker way. At some point, it becomes clear that they are building up to something they cannot deliver cause they literally have like 2-3 long segments of build-ups that lead to nothing. The problem is that the type of story that they are using requires vague hints or better understandable symbolism. I've seen a couple of similar films but I don't want to name them to avoid spoilers. The way they did it just doesn't connect. Also, the idea of merging the real world with the subconscious nightmare world was awesome, but they still messed it up with that awkward twist.
There isn't much in terms of characters or character development. Some of the dialogue is interesting, but as I've said the characters do not drive the story, they could've been doing anything else or not doing anything at all, the ending would still be the same. This concept is similar to the Evil Within game series, actually.
I really hope that I've just missed the bigger picture (and possible hints) and the film is better than I understood it, but when I re-think what I just saw, I just can't find more good stuff to endorse. Worth a watch.