A woman who has staunchly devoted herself to building a Communist state in Russia in the 1960s is forced into a moral reckoning when the conflict between her ideology and those rebelling against it gets personal.
Yuliya Vysotskaya delivers a taut, sensational performance as Lyuda, a woman whose daughter is among those missing after a deadly riot at a factory. Suddenly, big picture ideals and abstract ambitions collapse around her and her entire life becomes laser focused on finding out whether or not her daughter is still alive. To an American audience watching this movie in 2021, it is impossible not to see our own cultural dilemma reflected, not necessarily in the specifics, but rather in the general attitudes. The Soviet Union of 1962 looks a lot like the United States now, with different factions of our country wanting completely opposite things and determined not to budge an inch.
"Dear Comrades!" has a lean spareness to it that I liked. It feels like hardly a frame is wasted, and it's all captured in striking black and white.
Grade: A-
Yuliya Vysotskaya delivers a taut, sensational performance as Lyuda, a woman whose daughter is among those missing after a deadly riot at a factory. Suddenly, big picture ideals and abstract ambitions collapse around her and her entire life becomes laser focused on finding out whether or not her daughter is still alive. To an American audience watching this movie in 2021, it is impossible not to see our own cultural dilemma reflected, not necessarily in the specifics, but rather in the general attitudes. The Soviet Union of 1962 looks a lot like the United States now, with different factions of our country wanting completely opposite things and determined not to budge an inch.
"Dear Comrades!" has a lean spareness to it that I liked. It feels like hardly a frame is wasted, and it's all captured in striking black and white.
Grade: A-