Pedro Almodóvar's third feature is a collection of shock jokes involving incest, homosexuality, nymphomania, Arab terrorists and bad rock groups. It's roughly centered on the adventures of Cecilia Roth, Helga Liné, and Marta Fernández Muro as they seek orgasmic self-awareness. While Almodóvar has continued his fascination with the kinks of the world, he seems to have become more interested in actual issues with alternative life styles as he has.... well, I'd like to write 'matured' but that's not the right word. At this stage, he seems to have been more interested in shocking the conservative, like John Waters, albeit without much sympathy for his subjects, all of whom seem less interested in anything except their own pleasures.
Still, he certainly has an eye for the visual aspects of film making at this stage, which makes this less of a freak show than Waters' movies. Is that a good thing?
Still, he certainly has an eye for the visual aspects of film making at this stage, which makes this less of a freak show than Waters' movies. Is that a good thing?