After being very behind with film watching and reviewing, a lot of my reviews this year being dedicated to individual episodes of shows, completest quests and some cartoons, finally made the decision to watch more films released this year and to finally review the films seen earlier this year but hadn't gotten round to seeing. 'Le Mans 66' was a very eagerly anticipated film, due to liking the lead actors and loving 'Rush' that this has been compared to by some, and one of the year's (quite hit and miss) more acclaimed films, so there was not any doubt about seeing it.
'Le Mans 66' (often advertised though under the easier to remember title of 'Ford v Ferrari') doesn't disappoint a vast majority of the time, almost everything is right with it. Found it an exceptionally well made, acted, written and enthralling film and one of the year's must sees, also one of the few films this year where the advertising actually did it justice which is such a rarity in film (having lost count of the number of great films that were criminally mismarketed or misleadingly so). Seeing as 2019 has been another hit and miss year, with a fair share of good to brilliant films, a fair share of mediocre films or less (including clunkers) and films sitting in between, that is saying a fair bit actually and am not trying to sound like a snob here.
It isn't without its flaws, though they are hardly any. Did find the character of Peter and his scenes rather too twee for my liking, like when the film cutaways to him where he pointlessly explains the action. 'Le Mans 66' already had a lot of emotional impact of all kinds, the character and his presence just didn't seem necessary.
Maybe it is a little too long too, it could easily have done with being perhaps 15 minutes shorter and lessening or excising Peter's role would have made things better.
However, 'Le Mans 66' looks great. Especially the editing, which is actually quite astonishing in the action-oriented scenes and can see some kind of nod for Best Editing at any of the big awards. Likewise with the sound editing, which is quite striking in its authenticity, 'Le Mans 66' capturing the spirit of the sport and the personal lives behind it beautifully. James Mangold's direction is stylish throughout, the action-oriented scenes have plenty of thrills and mostly the personal lives scenes are emotionally investable.
Script is tightly structured and is nicely balanced. The story is always well balanced and some twee moments aside is always compelling. The climactic race is absolutely thrilling in every sense of the word. All the performances are spot on, with Matt Damon giving one of his better and most good-natured performances and Tracy Letts excels in his role, especially in his post-drive breakdown and his frankness during the Ford executive presentation. Best of all is Christian Bale in the film's most demanding role, he captures the uncomprimising attitude needed brilliantly.
All in all, excellent and one of 2019's highlights when it comes to film. 9/10
'Le Mans 66' (often advertised though under the easier to remember title of 'Ford v Ferrari') doesn't disappoint a vast majority of the time, almost everything is right with it. Found it an exceptionally well made, acted, written and enthralling film and one of the year's must sees, also one of the few films this year where the advertising actually did it justice which is such a rarity in film (having lost count of the number of great films that were criminally mismarketed or misleadingly so). Seeing as 2019 has been another hit and miss year, with a fair share of good to brilliant films, a fair share of mediocre films or less (including clunkers) and films sitting in between, that is saying a fair bit actually and am not trying to sound like a snob here.
It isn't without its flaws, though they are hardly any. Did find the character of Peter and his scenes rather too twee for my liking, like when the film cutaways to him where he pointlessly explains the action. 'Le Mans 66' already had a lot of emotional impact of all kinds, the character and his presence just didn't seem necessary.
Maybe it is a little too long too, it could easily have done with being perhaps 15 minutes shorter and lessening or excising Peter's role would have made things better.
However, 'Le Mans 66' looks great. Especially the editing, which is actually quite astonishing in the action-oriented scenes and can see some kind of nod for Best Editing at any of the big awards. Likewise with the sound editing, which is quite striking in its authenticity, 'Le Mans 66' capturing the spirit of the sport and the personal lives behind it beautifully. James Mangold's direction is stylish throughout, the action-oriented scenes have plenty of thrills and mostly the personal lives scenes are emotionally investable.
Script is tightly structured and is nicely balanced. The story is always well balanced and some twee moments aside is always compelling. The climactic race is absolutely thrilling in every sense of the word. All the performances are spot on, with Matt Damon giving one of his better and most good-natured performances and Tracy Letts excels in his role, especially in his post-drive breakdown and his frankness during the Ford executive presentation. Best of all is Christian Bale in the film's most demanding role, he captures the uncomprimising attitude needed brilliantly.
All in all, excellent and one of 2019's highlights when it comes to film. 9/10