8/10
You Can't Make Grim Dramas All The Time
18 November 2019
It's been raining for a while. No one can cross the river, the travelers at the inn are short-tempered and grouchy. Ronin Akira Terao comes back with a feast for everyone. He apologizes to his wife, Yoshiko Miyazaki. He fought some duels for money for the feast, and promises never to do it again. She forgives him with the loving, resigned air of the mother of a good child who gets into scrapes. When the rain stops, it will be some time before the river is passable. Terao goes for a walk and encounters half a dozen local samurai about to fight a duel. He chides them gently and disarms them. The local lord, Shiro Mifune rides up, calls them idiots, and thanks Terao. Then Mifune sends for Terao, to offer him the job of fencing master. This riles up the locals, who think the job should go to one of them.

Akira Kurosawa had written the script and finished pre-production just before he died. His heirs made the film under the direction of Takashi Koizumi, Kurosawa's regular assistant director since 1980. With its rough and kindly good humor and natural beauty, this doesn't look like any movie of Kurosawa's -- although his Capra-esque ONE WONDERFUL SUNDAY, more than half a century earlier, is cut from the same cloth. I think that after years of epics and fantasies, Kurosawa wanted to make a simple comedy about good people who smile and make jokes and laugh. I doubt it would have looked like this, but I think he would have been pleased with the result.
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