First up, I have to say that I was never aware or could never tell, that this film was made over 13 years. The majority of the film was produced in 2000, then shelved, then finalised some 12/13 years later after reshoots and further editing. None of the cast seems to have aged over that time. I don't really know how the uniformity was achieved.
A Perfect Man is not a great story, but it is interesting. I really liked seeing Jeanne Tripplehorn in a lead role again and feel sorry for her, that the film, when finally released, flopped big time. She deserves better. Her Nina is a dignified woman, though I do find it hard to believe she would have stayed with her husband of 9 years, after 4 previously revealed affairs on his part.
Liev Schreiber does just about the impossible and makes a serial heel of a guy, actually somewhat sympathetic. The Dutch locations are very watchable and largely Dutch support characters of some interest. (Let's not even bring up the stereotypical, big talking. Aussie client.) I did find it a little strange the underlining of Nina's bestie being a supposed trans male, though I guess it did fit in with the running theme of role playing games, operating through the storyline.
The ambivalent conclusion with the possibility floated of a reconciliation in an old location is well-handled and realistic. And the casting of "Lawrence" the dog was a winner as far as I was concerned. Good to see him get fairly extensive screen time. With canine charm and appeal, he easily stole every scene he was in. The curious discerning viewer may well find A Perfect Man to be of some interest.
A Perfect Man is not a great story, but it is interesting. I really liked seeing Jeanne Tripplehorn in a lead role again and feel sorry for her, that the film, when finally released, flopped big time. She deserves better. Her Nina is a dignified woman, though I do find it hard to believe she would have stayed with her husband of 9 years, after 4 previously revealed affairs on his part.
Liev Schreiber does just about the impossible and makes a serial heel of a guy, actually somewhat sympathetic. The Dutch locations are very watchable and largely Dutch support characters of some interest. (Let's not even bring up the stereotypical, big talking. Aussie client.) I did find it a little strange the underlining of Nina's bestie being a supposed trans male, though I guess it did fit in with the running theme of role playing games, operating through the storyline.
The ambivalent conclusion with the possibility floated of a reconciliation in an old location is well-handled and realistic. And the casting of "Lawrence" the dog was a winner as far as I was concerned. Good to see him get fairly extensive screen time. With canine charm and appeal, he easily stole every scene he was in. The curious discerning viewer may well find A Perfect Man to be of some interest.