"Night Claws" looks like it was really fun to make, with David A. Prior meeting a lot of his old friends again. At this point Prior had pretty much retired, but a young producer by the name of Fabio Soldani gave him some money and sent him back to those woods in Mobile, Alabama where he filmed roughly 102% of his movies. Hell, by this point I'm pretty sure I could be a tour guide in that town. Unfortunately, as fun as this reunion must have been, the joy doesn't translate well to the screen.
This movie is supposed to be about Bigfoot, but he's really just an afterthought. His plot remains unresolved and we barely ever see him. For some reason creature features often have the tendency to add human villains as well, which never works and just takes up precious screen-time from the monster we actually want to see. To add insult to injury, this movie looks really ugly. Most of it is shot day-for-night, which really shouldn't be that obvious when shot by a director who's been at this for three decades. There are amateur films on YouTube who use this technique far better than "Night Claws", which is not a ringing endorsement.
That's not to say the movie is completely without enjoyable moments. The climax is very low on Bigfoot, but high on laughable plot twists and unexpected deaths. Everyone's favorite Norm MacDonald punchline Frank Stallone shows up from nowhere for a cameo so brief I'm pretty sure he left his engine running. Sherrie Rose co-stars as a deputy, but looks way more like a stripper. The best part has got to be the unknown Art James though, who gives us some great line readings as the town drunk who tells us everything about Bigfoot (in exchange for alcohol, naturally). This movie has some decent laughs, but no story progression or coherent action. Given that you don't know what's happening half the time, you'll be looking at the clock regularly.
P.S: The credits read 'no Bigfoots were harmed in the making of this movie'. It deserves an extra star for that at least.
This movie is supposed to be about Bigfoot, but he's really just an afterthought. His plot remains unresolved and we barely ever see him. For some reason creature features often have the tendency to add human villains as well, which never works and just takes up precious screen-time from the monster we actually want to see. To add insult to injury, this movie looks really ugly. Most of it is shot day-for-night, which really shouldn't be that obvious when shot by a director who's been at this for three decades. There are amateur films on YouTube who use this technique far better than "Night Claws", which is not a ringing endorsement.
That's not to say the movie is completely without enjoyable moments. The climax is very low on Bigfoot, but high on laughable plot twists and unexpected deaths. Everyone's favorite Norm MacDonald punchline Frank Stallone shows up from nowhere for a cameo so brief I'm pretty sure he left his engine running. Sherrie Rose co-stars as a deputy, but looks way more like a stripper. The best part has got to be the unknown Art James though, who gives us some great line readings as the town drunk who tells us everything about Bigfoot (in exchange for alcohol, naturally). This movie has some decent laughs, but no story progression or coherent action. Given that you don't know what's happening half the time, you'll be looking at the clock regularly.
P.S: The credits read 'no Bigfoots were harmed in the making of this movie'. It deserves an extra star for that at least.