8/10
A speculation in how the famous portrait of Queen Nefertite came into being.
8 August 2018
This is all speculation but an interesting story, showing how the famous and timeless statue of Queen Nefertiti still after so many thousands of years stir imaginations and inspire to invention and creation. The cinematography is outstanding, the music of Carlo Rustichelli couldn't be better, Jeanne Crain is perfect as the Queen, Vincent Price is horribly absurd as the mad and wicked father, Edmund Purdom makes a good job of the sculptor with all his tribulations for his love, but the most interesting actor is Amedeo Nazzori as Amenophis. Mind you, he is never called Ekhnaton, although that was the king of this issue of the conflict between old believers and the new monotheistic religion of the sun, which caused a revolution in its day in ancient Egypt about 3500 years ago. The King was more realistically played by Michael Wilding in "Sinuhe the Egyptian" seven years earlier, and this film has clearly taken one or two hints from that movie, Jeanne Crain being very much like Jean Simmons. Amedeo Nazzori makes a very interesting character as a very convincing king inspiring confidence with his sympathetic character but with the great weakness of oversensitivity, leading to mental breakdowns, transcending into a religion of peace abhorring all bloodshed.

It's not a great movie, but it is interesting enough with some memorable scenes, especially the ones in the workshop, culminating in the famous scene when the Queen is first introduced to her sculptor, the Pharaoh having no idea that they have been lovers, and the lover knowing nothing of her difficult way to the throne. This is great theatre.
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