After a lovely animated credits sequence, we are plunged into the unhappy married life of Ruth and Miguel. I thought at first that they were unhappy because their mansion on the coast with a private beach, butler and cook wasn't big and expensive enough, or maybe their open top sports car weren't up to date, but I was wrong. Ruth just doesn't love Miguel no more, and she tells him so, also saying "Oh, by the way, my new lover is moving in, he's played by Jean Sorel as well." So Jean moves in and we get a fairly long sequence of these two in love – rolling about the beach, water skiing, painting ceramic dishes, snogging while Jean hangs upside down from a tree. Jean even buys Ruth a pet swan which makes for some ridiculous visuals. It should be noted here that this film is lush looking even by the usual high standards of this genre – Jean takes Ruth to this nightclub and we get dazzled by the garish colour schemes, and an early shot of a disco ball! Around this point Jean's friend Roland also shows up and starts making eyes at Ruth, some lady (whom I initially thought was Miguel in drag, which means I've been watching too many of these films), moves in next door and keeps spying on everyone, and someone starts trying to kill Ruth! First her brakes don't work on her car, then someone drains all the fuel out of her SCUBA diving gear.
She's naturally inclined to think that Miguel is responsible for this, and it doesn't help when he turns up shortly after this, but when she accidentally overhears a couple of characters discussing the rest of the plot in great detail, your left wondering what direction the plot is going to take, seeing this happens only forty minutes into the film.
Did you get any onya? This film is very much in the style of those late sixties gialli starring Jean Sorel and/or Carroll Baker, but with a total overdose of visual style and weird camera angles. Plus, when have you ever seen Jean Sorel chase a swan around while wearing a daft mask. Please not however there is scarcely a drop of blood in this one but if you're a sleaze fan you might want to hang about to the last fifteen minutes.
Didn't need to see a guy harpoon an octopus though.
She's naturally inclined to think that Miguel is responsible for this, and it doesn't help when he turns up shortly after this, but when she accidentally overhears a couple of characters discussing the rest of the plot in great detail, your left wondering what direction the plot is going to take, seeing this happens only forty minutes into the film.
Did you get any onya? This film is very much in the style of those late sixties gialli starring Jean Sorel and/or Carroll Baker, but with a total overdose of visual style and weird camera angles. Plus, when have you ever seen Jean Sorel chase a swan around while wearing a daft mask. Please not however there is scarcely a drop of blood in this one but if you're a sleaze fan you might want to hang about to the last fifteen minutes.
Didn't need to see a guy harpoon an octopus though.