At first I thought this movie would ruin this story. It's a painful, yet hopeful and loving chapter of African history. This is NOT a love story. If people should come to watch this movie hoping for a "love conquers all" plot... They should be very disappointed. And I'm fairly glad for that. I congratulate the director, Amma Asante, for rendering this story into the big screen with delicacy and respect to all involved. I thank her for realizing all this story was NOT, and putting it out for the public from the first frame. I also love her for showing almost everything this story was about, without going into great detail.
This movie is based on the true relationship between the King of (now) Botswana, Sir Seretse Khama, and a white British woman, Ruth Williams. Today we might know Ruth and Khama as leaders in the fight for the country's independence (since it was, when they married, a British protectorate), but their struggle started way sooner. Their story became their country's story. A fight for their right to choose.
It's not about their love. It's about his choice, not to marry within his tribe's customs, and her choice, to up and leave her home, building herself a new life from scratch. It's about a country's choice to their leader - and how much the world hates him, her and the country for the nerve to demand their voices be heard with such fire.
Amma Asante thrives on sewing up Seretse and Ruth deep within the political setting, in a beautiful dance, until we cannot see the lines between them. She also shows how much resistance change can face - and overcome. Their marriage becomes a set of lens for the viewer to analyze strength and frailty confined in this tiny world full of hope. And it gets you going.
Rosamund Pike and Daniel Oyelowo are simply superb. His performance here is stronger than Selma's, which is saying something. And though Pike had less screen time than Oyelowo, her presence is felt throughout every scene. It doesn't fail. Pike gives a poignant performance of a true turnaround in life, and she gets us engaged with her every move. She doesn't have to show her face; every spin this movie gives gets the viewer thinking about Ruth's reaction, thanks to her powerful deliverance.
With that power couple, I thought the supporting cast would be weak and acceptable... I was surprised. Again. Tom Felton, Jack Davenport, Laura Carmichael (why, hello, Lady Edith!), Terry Pheto, Vusi Kunene, Jessica Oyelowo and Abena Ayivor, to name a (very) few, were splendid in their roles and really brought the tension between marriage and politics alive.
Cinematography is delightful, which goes really well with the dazzling music score. The somber tones of post-war London are contrast to the joyful sounds and colors of the southern borders of Africa; yet you hear pain in their laughter as well as you see smiles in British tears. Everything is designed to really bring the viewer there and then.
It's an interesting and delicate take in a true story, that happened not so long ago. It's a solid 7, because of historical inconsistencies throughout the film (the lasting of the protectorate, Indian's ruler at the time of independence, and so on), but it's definitely worth at least a screening.
This movie is based on the true relationship between the King of (now) Botswana, Sir Seretse Khama, and a white British woman, Ruth Williams. Today we might know Ruth and Khama as leaders in the fight for the country's independence (since it was, when they married, a British protectorate), but their struggle started way sooner. Their story became their country's story. A fight for their right to choose.
It's not about their love. It's about his choice, not to marry within his tribe's customs, and her choice, to up and leave her home, building herself a new life from scratch. It's about a country's choice to their leader - and how much the world hates him, her and the country for the nerve to demand their voices be heard with such fire.
Amma Asante thrives on sewing up Seretse and Ruth deep within the political setting, in a beautiful dance, until we cannot see the lines between them. She also shows how much resistance change can face - and overcome. Their marriage becomes a set of lens for the viewer to analyze strength and frailty confined in this tiny world full of hope. And it gets you going.
Rosamund Pike and Daniel Oyelowo are simply superb. His performance here is stronger than Selma's, which is saying something. And though Pike had less screen time than Oyelowo, her presence is felt throughout every scene. It doesn't fail. Pike gives a poignant performance of a true turnaround in life, and she gets us engaged with her every move. She doesn't have to show her face; every spin this movie gives gets the viewer thinking about Ruth's reaction, thanks to her powerful deliverance.
With that power couple, I thought the supporting cast would be weak and acceptable... I was surprised. Again. Tom Felton, Jack Davenport, Laura Carmichael (why, hello, Lady Edith!), Terry Pheto, Vusi Kunene, Jessica Oyelowo and Abena Ayivor, to name a (very) few, were splendid in their roles and really brought the tension between marriage and politics alive.
Cinematography is delightful, which goes really well with the dazzling music score. The somber tones of post-war London are contrast to the joyful sounds and colors of the southern borders of Africa; yet you hear pain in their laughter as well as you see smiles in British tears. Everything is designed to really bring the viewer there and then.
It's an interesting and delicate take in a true story, that happened not so long ago. It's a solid 7, because of historical inconsistencies throughout the film (the lasting of the protectorate, Indian's ruler at the time of independence, and so on), but it's definitely worth at least a screening.