One of the better Pre-Code movies was "Three on a Match" (1932). Not only was it a terrific film but it's one of Bette Davis' earliest films. It also is extremely lurid--the sort of way only Pre-Code films could be. Now, six years later, Warner Brothers have remade the picture as "Broadway Musketeer"...but with many of the more salacious scenes missing (such as the ultra-violent ending in the original). Considering how wonderful "Three on a Match" was, I just couldn't understand remaking it...but on a lark I decided to give this other film a try.
The film has nothing to do with Broadway...and none of the characters have anything to do with the theater. Instead, it's about three women who grew up together in an orphanage, Isabelle (Margaret Lindsay), Fay (Ann Sheridan) and Connie (Marie Wilson). The film begins long after the three friends went their separate ways. Isabelle is married to a very successful man and has everything a woman could have wanted, Fay performs a racy* routine in nightclubs and Marie is a stenographer...an underdeveloped part. However, despite Isabelle having a child and loving husband, she's longing for excitement and ultimately destroys herself and loses her family. At the same time, Fay and Connie step in to pick up the pieces of Isabelle's family. What's next? Well, for starters, Isabelle manages to make things even worse---even after her husband divorces her.
This is a very competent film and the cast is fine. However, they certainly aren't better than the original cast and the script is amazingly tame and lacks the edge and excitement of the original. Worth seeing, perhaps...but I suggest you just see "Three on a Match".
*The racy dance is hilariously tame--so much so that you could perform it at a Baptist picnic!! This is one case where the Post- Code standards just didn't make any sense, as she was arrested for this lewd dance...a dance where all of her clothes remained on her body and the gyrations were minimal!
The film has nothing to do with Broadway...and none of the characters have anything to do with the theater. Instead, it's about three women who grew up together in an orphanage, Isabelle (Margaret Lindsay), Fay (Ann Sheridan) and Connie (Marie Wilson). The film begins long after the three friends went their separate ways. Isabelle is married to a very successful man and has everything a woman could have wanted, Fay performs a racy* routine in nightclubs and Marie is a stenographer...an underdeveloped part. However, despite Isabelle having a child and loving husband, she's longing for excitement and ultimately destroys herself and loses her family. At the same time, Fay and Connie step in to pick up the pieces of Isabelle's family. What's next? Well, for starters, Isabelle manages to make things even worse---even after her husband divorces her.
This is a very competent film and the cast is fine. However, they certainly aren't better than the original cast and the script is amazingly tame and lacks the edge and excitement of the original. Worth seeing, perhaps...but I suggest you just see "Three on a Match".
*The racy dance is hilariously tame--so much so that you could perform it at a Baptist picnic!! This is one case where the Post- Code standards just didn't make any sense, as she was arrested for this lewd dance...a dance where all of her clothes remained on her body and the gyrations were minimal!