This version of Agatha Christie's WITNESS FOR THE PROSECUTION shakes off what can often be goofy about Christie's stories and treats the characters as fully-formed individuals in an historic setting. It's an impressive effort with a shocking cast who inhabit their characters.
This is awards season in the U.S. and studios trot out their best efforts in a last minute bid to garner accolades. Were this a feature film, it would surpass many mega-budget films.
Director Julian Jarrold -- THE CROWN (2016), BECOMING JANE (2007) and KINKY BOOTS (2005) -- utilizes the strong talent assembled and tells an intriguing story of characters and conflict.
Billy Howle as the accused is convincing, constantly eye-catching, fully immersed and impressive. I've seen him in several other projects, including the miniseries GLUE, and he bares great vulnerability on screen, and it's believable.
Toby Jones is reliable at being superior and nuanced, he is a huge asset to this series.
Andrea Riseborough is enigmatic and surprising. I am accustomed to seeing her in contemporary dramas, and she delivers this character like placid waters with a shark circling beneath, ready to emerge and strike.
This version is so satisfying and memorable, I'm almost dreading the big screen, and likely big budget, version coming from Ben Affleck in 2018. His Oscar-bait 2016 film LIVE BY NIGHT shows a love for period pulp, but an inability to stitch it together. This version of WITNESS FOR THE PROSECUTION should be the standard against which his is judged.
This is awards season in the U.S. and studios trot out their best efforts in a last minute bid to garner accolades. Were this a feature film, it would surpass many mega-budget films.
Director Julian Jarrold -- THE CROWN (2016), BECOMING JANE (2007) and KINKY BOOTS (2005) -- utilizes the strong talent assembled and tells an intriguing story of characters and conflict.
Billy Howle as the accused is convincing, constantly eye-catching, fully immersed and impressive. I've seen him in several other projects, including the miniseries GLUE, and he bares great vulnerability on screen, and it's believable.
Toby Jones is reliable at being superior and nuanced, he is a huge asset to this series.
Andrea Riseborough is enigmatic and surprising. I am accustomed to seeing her in contemporary dramas, and she delivers this character like placid waters with a shark circling beneath, ready to emerge and strike.
This version is so satisfying and memorable, I'm almost dreading the big screen, and likely big budget, version coming from Ben Affleck in 2018. His Oscar-bait 2016 film LIVE BY NIGHT shows a love for period pulp, but an inability to stitch it together. This version of WITNESS FOR THE PROSECUTION should be the standard against which his is judged.