7/10
Interesting...
7 November 2016
Warning: Spoilers
Now, the only reason I saw this documentary, given the fact that I am not interested in fashion at all, is that I was forced to because of my job. Not that I am complaining, though. Even if I don't care about the movie's subject matter, I still think the behind-the-scenes look at the effort put in organizing such a huge event is quite fascinating.

What also is quite fascinating is something that I've suspected for many years already, but this movie showed it do me clearly - way too many of the people in the fashion industry are staggeringly uneducated when it comes to anything that's not fashion. I mean, yeah, you see, they know how to dress, how to talk, how to write in a way that makes them appear intelligent, they use "big" words like "soigne", they constantly talk about the aesthetic qualities of this or that, but underneath all posturing they are, well...

A few spoilers here.

Anna Wintour, probably the most famous fashion magazine editor in the world, literally, and I mean literally, can't differentiate a piece of furniture from a work of art. Seriously, she is a trustee at the biggest art museum in the world, she organizes huge events in the said museum every year, and yet... Well, see the movie and decide for yourselves. And there are worse examples. Although the theme of the exhibition the documentary is about is China, we hear people talking about Kabuki, Geisha, etc. One of the people organizing the exhibition literally suggests that Mao Zedong be depicted as some sort of a deity to Chinese people, equal to Buddha or something like that. To give credit where credit is due, I must say that the makers of the movie did not try to hide what the Chinese thought about the West interpreting their culture. Needless to say, they didn't like it very much. (On a side note, this movie was quite the eye opener for me when it came to things like cultural appropriation - because now I know why so many people frown upon it. Because when you take something from a culture you don't know and understand, and you twist it and pervert it without even realizing what you're doing... Well, some people will get offended - and rightfully so.) Luckily, the art director of the exhibition was Wong Kar-Wai - and he, at least in this movie, seemed to know what he was doing. I'm not much of a fan of his, but he was there to tell the fashion men and women running amok to stop, to consider the possibility that what they're doing is not going to give them the results they are after... And, well, at the end, the exhibition, from what I saw, the exhibition turned out pretty beautiful - which is what is important. And don't get me wrong, I'm not saying that Wong alone made it beautiful - many people worked hard on this, and I can only praise them for doing their job well enough.

When it comes to the people shown in this movie... I am glad I don't know Anna Wintour. Seriously, she is horrible. Maybe her work for "Vogue" is exceptionally good, I don't know... I hope it is, because I can't think of any reason for anyone to tolerate such a rude, uneducated, pretentious snob. That being said, Andrew Bolton seems like a genuinely nice person, and someone who cares deeply about what he is doing. Wong Kar-Wai is cool - and, to me, at least, surprisingly rockstarish when it comes to attitude and confidence. The others... Well, they are colorful characters, to say the least.

All in all, this is a nice documentary. Not the best, not the worst. I recommend it, even if you're not interested in fashion.
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