I simply agree that this is one of cinemas true masterpieces, I'm with those who consider it one of if not the greatest film.
Two details that I always loved; when Joan sits in her cell taking comfort by staring at the image of the cross formed by the windowpane, then the priest who pretends to befriend her but intends to betray her walks in and his shadow covers the image of the cross - wow, is there a more haunting or effective use of imagery in all of film?
Also, I appreciated how at the end when she was about to be killed the same priest looked down on her, unseen, and bowed and shook his head with an expression of true sorrow. I think that was such a profound scene, showing that, though not exactly one of the good guys, he didn't really want her to die, he respected her strength and faith, it showed he was human - I thought that was an amazing, great touch.
Also I'd like to mention Richard Einhorn's inspirational soundtrack that matches the film so incredibly well that I can't imagine one without the other. I'd love to shake his hand and simply say 'Thank you! ...you lucky dog!" ;) ... to now and onward be associated with and part of this great film. First time I watched the film, the style of the soundtrack struck me, a new sound, but I was engrossed in the film to think much about it. Second time I watched it, the moment the music started I began to cry, to my surprise! It had left such an affect on me the first time, I didn't realize!
Two details that I always loved; when Joan sits in her cell taking comfort by staring at the image of the cross formed by the windowpane, then the priest who pretends to befriend her but intends to betray her walks in and his shadow covers the image of the cross - wow, is there a more haunting or effective use of imagery in all of film?
Also, I appreciated how at the end when she was about to be killed the same priest looked down on her, unseen, and bowed and shook his head with an expression of true sorrow. I think that was such a profound scene, showing that, though not exactly one of the good guys, he didn't really want her to die, he respected her strength and faith, it showed he was human - I thought that was an amazing, great touch.
Also I'd like to mention Richard Einhorn's inspirational soundtrack that matches the film so incredibly well that I can't imagine one without the other. I'd love to shake his hand and simply say 'Thank you! ...you lucky dog!" ;) ... to now and onward be associated with and part of this great film. First time I watched the film, the style of the soundtrack struck me, a new sound, but I was engrossed in the film to think much about it. Second time I watched it, the moment the music started I began to cry, to my surprise! It had left such an affect on me the first time, I didn't realize!