With all honesty, the Hindi version of DRISHYAM gives me no energy to write about it in details being the weakest 4th remake of the original Malayalam film featuring Mohan Lal in the lead.
Using a fresh backdrop and a local feel it has got its impressive moments that obviously come in the final hour when the proceedings become high paced, intense and brutal too with police interrogation crossing all its extreme limits at the orders of its own IG. But at the same time, it doesn't make any change in its slow first half, following the fixed format that was also pointed out as the weaker portions of the original by few critics. Still, despite the not so happening first hour, one might like it as a crime thriller that doesn't allow the viewers to move in its concluding hour, offering many unexpected twists and turns keeping them thoroughly engrossed.
However it's the missing emotions, lack of energy or fire, average performances, a loud-inconsistent background score, avoidable spoon- feeding and few unnecessary (ridiculous) commercial insertions that don't let you rate the film more than anything above average or decent. Thankfully they use only two songs out of four (in the soundtrack) as required but fail to en-cash on the emotional aspect of the script that should ideally have been its key feature becoming a 'family- thriller'.
As a bitter truth, the theme of the film didn't require any kind of philosophical soundtrack both Vishal and Gulzar are known for. The weak acts of Shriya Saran, kids and more contribute a lot in its feeble impact. Plus confirming my doubts Ajay Devgn remains a miscast in the role of a clever minded, cinema loving father guarding his small family. Moreover the most disappointing feature remains Tabu, who doesn't come up with anything even close to what was being expected quite surprisingly, whereas Kamlesh Sawant as the cruel sub- inspector scores the most.
In comparative terms, it seems DRISHAYM (Hindi) has been made hurriedly in some kind of available time with the star or team, without giving any major emphasis on solid characterizations as seen in the original. In clear words, where in all the four regional films, the actors seem like sinking deep into their given characters, the Hindi version has them all doing it as another of their professional assignment standing in front of the camera with no home-work done of any sort to play their given roles. Mentioning it specifically I didn't find any concerning FATHER in Ajay Devgn or a MOTHER in either Shriya or Tabu disappointingly, that was supposed to be the main requirement of the script as my personal conclusion. So would suggest to go for the original Malayalam film first if you wish to enjoy the subject more in the right manner.
Note: Hope after DRISHYAM many passionate Hindi filmgoers get enlightened that in reality our Indian Regional movies and makers are miles ahead than the present mainstream Hindi Cinema in all respects.
Using a fresh backdrop and a local feel it has got its impressive moments that obviously come in the final hour when the proceedings become high paced, intense and brutal too with police interrogation crossing all its extreme limits at the orders of its own IG. But at the same time, it doesn't make any change in its slow first half, following the fixed format that was also pointed out as the weaker portions of the original by few critics. Still, despite the not so happening first hour, one might like it as a crime thriller that doesn't allow the viewers to move in its concluding hour, offering many unexpected twists and turns keeping them thoroughly engrossed.
However it's the missing emotions, lack of energy or fire, average performances, a loud-inconsistent background score, avoidable spoon- feeding and few unnecessary (ridiculous) commercial insertions that don't let you rate the film more than anything above average or decent. Thankfully they use only two songs out of four (in the soundtrack) as required but fail to en-cash on the emotional aspect of the script that should ideally have been its key feature becoming a 'family- thriller'.
As a bitter truth, the theme of the film didn't require any kind of philosophical soundtrack both Vishal and Gulzar are known for. The weak acts of Shriya Saran, kids and more contribute a lot in its feeble impact. Plus confirming my doubts Ajay Devgn remains a miscast in the role of a clever minded, cinema loving father guarding his small family. Moreover the most disappointing feature remains Tabu, who doesn't come up with anything even close to what was being expected quite surprisingly, whereas Kamlesh Sawant as the cruel sub- inspector scores the most.
In comparative terms, it seems DRISHAYM (Hindi) has been made hurriedly in some kind of available time with the star or team, without giving any major emphasis on solid characterizations as seen in the original. In clear words, where in all the four regional films, the actors seem like sinking deep into their given characters, the Hindi version has them all doing it as another of their professional assignment standing in front of the camera with no home-work done of any sort to play their given roles. Mentioning it specifically I didn't find any concerning FATHER in Ajay Devgn or a MOTHER in either Shriya or Tabu disappointingly, that was supposed to be the main requirement of the script as my personal conclusion. So would suggest to go for the original Malayalam film first if you wish to enjoy the subject more in the right manner.
Note: Hope after DRISHYAM many passionate Hindi filmgoers get enlightened that in reality our Indian Regional movies and makers are miles ahead than the present mainstream Hindi Cinema in all respects.