This independent film is perhaps one of the best take on American adolescence reality, without sex and drugs, close behind the darker and more visceral films from Larry Clark: Kids (1995) and Bully (2001). George Washington comes across as light even in the midst of tragedy and even more tragic life circumstances and reality. It seeks solace, redemption and contemplation in this contemporary boredom. It is poetic and profound at times and meanders in the mundane which it reflects well.
Dialogues and monologues are well written and feel real. Imagery is impactful and uses elements like the cape and lizard mask to convey deeper beauty and meaning. Each character is explored even if briefly to reveal depth and allow for further thoughts. George's father which we see in one scene only, Damascus' explanation of why he hates dogs, Vernon's soliloquy and Sonya's secret are the best examples.
The fragility of actions and consequences. Thoughts, feelings and circumstances.
Although it may be missing an ethereal "je ne sais quoi" to bind everything together a bit more tightly, it achieves the ambiance and ambition of letting us into the life and preoccupations of our young protagonists.
Recommended and good for multiple viewings.
Dialogues and monologues are well written and feel real. Imagery is impactful and uses elements like the cape and lizard mask to convey deeper beauty and meaning. Each character is explored even if briefly to reveal depth and allow for further thoughts. George's father which we see in one scene only, Damascus' explanation of why he hates dogs, Vernon's soliloquy and Sonya's secret are the best examples.
The fragility of actions and consequences. Thoughts, feelings and circumstances.
Although it may be missing an ethereal "je ne sais quoi" to bind everything together a bit more tightly, it achieves the ambiance and ambition of letting us into the life and preoccupations of our young protagonists.
Recommended and good for multiple viewings.