This film perfectly sums up the two-faces of the post-war generation, on the outside people put on a brave face, whilst just under the surface they are in emotional distress. It is very different to the other films in the Huggett series, which are primarily cheerful family comedies.
Mr & Mrs Huggett and their grown children arrive at a holiday camp to "enjoy" themselves and put the worries of war time behind them. The people at the holiday camp do tightly scheduled activities, distracting themselves from dwelling on their past and present problems. (Keep look-out for the hilarious novelty bicycles that regularly roll through the background). The only truly happy characters in this film are Mr & Mrs Huggett and their two youngest children, who seem oblivious to the tightly guarded emotional problems of the adults around them.
The eldest daughter of the Huggett's is clearly depressed by the loss of her husband, and yet social pressure from friends and family forces her to begin dating again. At one point, she refuses to enter a beauty pageant with her friend, so she is physically picked-up and carried by two men who drop her into the ques of beauties. All the single women we meet are full of sad nervous energy as they desperately try to work-out how to appease the men around them.
This film contains themes of suicide, teen-pregnancy, substance-abuse and loss, all set against ridiculously cheerful backgrounds of people enjoying wholesome holiday activities. If you want to avoid devastation, DON'T watch the last 20 minutes. This film unexpectedly ends in the worst tragedy for the most vulnerable character, whilst contented characters remain innocently oblivious to the suffering around them.
Mr & Mrs Huggett and their grown children arrive at a holiday camp to "enjoy" themselves and put the worries of war time behind them. The people at the holiday camp do tightly scheduled activities, distracting themselves from dwelling on their past and present problems. (Keep look-out for the hilarious novelty bicycles that regularly roll through the background). The only truly happy characters in this film are Mr & Mrs Huggett and their two youngest children, who seem oblivious to the tightly guarded emotional problems of the adults around them.
The eldest daughter of the Huggett's is clearly depressed by the loss of her husband, and yet social pressure from friends and family forces her to begin dating again. At one point, she refuses to enter a beauty pageant with her friend, so she is physically picked-up and carried by two men who drop her into the ques of beauties. All the single women we meet are full of sad nervous energy as they desperately try to work-out how to appease the men around them.
This film contains themes of suicide, teen-pregnancy, substance-abuse and loss, all set against ridiculously cheerful backgrounds of people enjoying wholesome holiday activities. If you want to avoid devastation, DON'T watch the last 20 minutes. This film unexpectedly ends in the worst tragedy for the most vulnerable character, whilst contented characters remain innocently oblivious to the suffering around them.