It "wasn't very good."
Jane Fonda, Peter Finch, Angela Lansbury, Arthur Hill, and Constance Cummings star in "In the Cool of the Day" (1963.
I have no idea what the title means. It's one of those titles like "Fever in the Blood." Actually, "Fever in the Blood" would have been better.
Murray Logan (Finch) plays a publisher who falls in love with his friend Sam's (Arthur Hill) young wife Christine (Jane Fonda). She is a fragile woman both physically and emotionally, suffering from a lung disorder.
Part of her problem is her mother (Constance Cummings); she is afraid of her and hates to be around her. Christine's husband worships the ground she walks on, but at this point, they are separated and she is living with her father (Alexander Bonner), and they meet at his house.
Murray's wife, Sibyl (Angela Lansbury) is a recluse, due to a horrid automobile accident she and Murray were in which killed their little boy. Murray feels responsible so he puts up with her, though she's a nasty woman.
Sam makes certain promises to Christine about the way she can live her life -- he's very suffocating -- and she desperately wants to see Greece. She invites Murray and Sibyl to accompany her and Sam. Surprisingly, Sibyl accepts.
The Grecian scenery is stunning.
The movie overall moves like molasses, and it was difficult to invest in any of the characters.
As far as Fonda's hair - it was distracting. It's also the way women wore their hair in the '60s. I didn't mind her clothes, which some have mentioned. She was still quite beautiful.
The performances were okay - for me, only Lansbury and Cummings provided any spark. Fonda's performance was a little mannered for me. I can never get over the fact that Arthur Hill was the original George in Who's Afraid of Virginia Woolf because he's the same in every single thing I've seen him in. Peter Finch didn't register a ton of emotion.
The ending was very clichéd.
I just found it a waste of good talent and beautiful locations.
Jane Fonda, Peter Finch, Angela Lansbury, Arthur Hill, and Constance Cummings star in "In the Cool of the Day" (1963.
I have no idea what the title means. It's one of those titles like "Fever in the Blood." Actually, "Fever in the Blood" would have been better.
Murray Logan (Finch) plays a publisher who falls in love with his friend Sam's (Arthur Hill) young wife Christine (Jane Fonda). She is a fragile woman both physically and emotionally, suffering from a lung disorder.
Part of her problem is her mother (Constance Cummings); she is afraid of her and hates to be around her. Christine's husband worships the ground she walks on, but at this point, they are separated and she is living with her father (Alexander Bonner), and they meet at his house.
Murray's wife, Sibyl (Angela Lansbury) is a recluse, due to a horrid automobile accident she and Murray were in which killed their little boy. Murray feels responsible so he puts up with her, though she's a nasty woman.
Sam makes certain promises to Christine about the way she can live her life -- he's very suffocating -- and she desperately wants to see Greece. She invites Murray and Sibyl to accompany her and Sam. Surprisingly, Sibyl accepts.
The Grecian scenery is stunning.
The movie overall moves like molasses, and it was difficult to invest in any of the characters.
As far as Fonda's hair - it was distracting. It's also the way women wore their hair in the '60s. I didn't mind her clothes, which some have mentioned. She was still quite beautiful.
The performances were okay - for me, only Lansbury and Cummings provided any spark. Fonda's performance was a little mannered for me. I can never get over the fact that Arthur Hill was the original George in Who's Afraid of Virginia Woolf because he's the same in every single thing I've seen him in. Peter Finch didn't register a ton of emotion.
The ending was very clichéd.
I just found it a waste of good talent and beautiful locations.