Ang Lee's 'Hulk' has always received a bad reputation and twelve years on, its critical reception is not likely to change. Despite being superior to the 2008 reboot, it has not been given the recognition that it deserves.
Bruce Banner works as a scientist with his ex-girlfriend. They are trying to achieve cell repair in animals, but to no avail. One day, Bruce is exposed to gamma radiation when a machine malfunctions; mysteriously he survives the incident. Only to discover that he changes into a ranging green monster, whenever he experiences high levels of stress.
Eric Bana as Bruce Banner does a serviceable job, you buy into his character, but Bana lacks the required enthusiasm on screen. He appears as a blank slate and you just wish that he would provide more emotion when it really matters. The tormented character is the driving force in the film and sadly Bana offers little extra. Jennifer Connelly as ex-girlfriend Betty Ross is more commendable, bringing tenderness to the role and thereby selling her affection for Banner in the process. Nick Nolte as Bruce's estranged father is a scientist gone mad from his past failures. You never can tell what he is capable of doing on-screen. The times we do spend with Nolte are indeed the most compelling segments of the film.
'Hulk' is still sure to split the opinions of audiences in half. What some may consider being an interesting take on the tragic hero, full of emotion and character depth, others will be overwhelmed by its admittedly self-indulgent length (at 138 minutes) and disappointed with a lack of scenes that consist of Hulk smashing up anything that he comes into contact with. Unfortunately, the CGI can create a jarring experience, from the effects looking solid to poorly animated.
'Hulk' does indeed benefit though, with a smartly written screenplay by James Schamus. This is a more thoughtful and nuanced approach to a hero that many will not be expecting. It is concerned with the psychological aspects of Bruce Banner and how his relationships with his father and his ex-girlfriend shape him. If you are comfortable with the story taking its time to set up characters and plot points, darker than your average super hero flick, then you are bound to enjoy watching 'Hulk'. If not, then I would re consider whether watching this film is worth your time.
'Hulk' is certainly better than its reputation would suggest. Ang Lee finds a way to make us care about a character that is essentially a giant green monster filled with rage. A sharp script helps to engage the audience, even if the running time is patience testing at best. For those that can appreciate what 'Hulk' does eloquently with its ambitious story and artistic sensibilities then they are sure to have a rewarding and satisfying experience that is among the best that Marvel has to offer in the early 2000s.
Bruce Banner works as a scientist with his ex-girlfriend. They are trying to achieve cell repair in animals, but to no avail. One day, Bruce is exposed to gamma radiation when a machine malfunctions; mysteriously he survives the incident. Only to discover that he changes into a ranging green monster, whenever he experiences high levels of stress.
Eric Bana as Bruce Banner does a serviceable job, you buy into his character, but Bana lacks the required enthusiasm on screen. He appears as a blank slate and you just wish that he would provide more emotion when it really matters. The tormented character is the driving force in the film and sadly Bana offers little extra. Jennifer Connelly as ex-girlfriend Betty Ross is more commendable, bringing tenderness to the role and thereby selling her affection for Banner in the process. Nick Nolte as Bruce's estranged father is a scientist gone mad from his past failures. You never can tell what he is capable of doing on-screen. The times we do spend with Nolte are indeed the most compelling segments of the film.
'Hulk' is still sure to split the opinions of audiences in half. What some may consider being an interesting take on the tragic hero, full of emotion and character depth, others will be overwhelmed by its admittedly self-indulgent length (at 138 minutes) and disappointed with a lack of scenes that consist of Hulk smashing up anything that he comes into contact with. Unfortunately, the CGI can create a jarring experience, from the effects looking solid to poorly animated.
'Hulk' does indeed benefit though, with a smartly written screenplay by James Schamus. This is a more thoughtful and nuanced approach to a hero that many will not be expecting. It is concerned with the psychological aspects of Bruce Banner and how his relationships with his father and his ex-girlfriend shape him. If you are comfortable with the story taking its time to set up characters and plot points, darker than your average super hero flick, then you are bound to enjoy watching 'Hulk'. If not, then I would re consider whether watching this film is worth your time.
'Hulk' is certainly better than its reputation would suggest. Ang Lee finds a way to make us care about a character that is essentially a giant green monster filled with rage. A sharp script helps to engage the audience, even if the running time is patience testing at best. For those that can appreciate what 'Hulk' does eloquently with its ambitious story and artistic sensibilities then they are sure to have a rewarding and satisfying experience that is among the best that Marvel has to offer in the early 2000s.