This film may be much too subtle for some who are accustomed to the Hollywood-type lowest common denominator message delivery. The conversations and interactions are not stylized or dramatized - they are very natural. The scenery is stern and beautiful and the camera work is magnificent. What is especially remarkable is how gently and thoughtfully the characters are portrayed. The postman is an exceptionally kind soul. He is not handsome or muscular and he does not commit any violent acts but he is still "created in God's image" and, in his own way, very heroic. Others may be superfluous, primitive and flawed, but the film manages to fully humanize them and make them very sympathetic and likable. Another reviewer mentioned the contrast between the launch of the space rocket and the simple life of the villagers, but that is not the main point of the film. However poor these people are, the rocket does not diminish their humanity. In fact, the characters do not even notice it. It does not matter anymore that the spaceships are plowing the expanses of the universe. The scenes where the postman looks at a little ant, or hears the sounds of the past in the decaying school building, are even more profound. The important and skillfully developed idea here is that, however remote this place is, the now abandoned people living there still got caught up in the historical events forced upon them, and those events left them scarred for life.
Review of The Postman's White Nights
