The film has decent horror, although severely lacking in originality. It consists of almost entirely borrowed aspects, not only from the prequel, but many other horror movies from last few years. It's a parade of creepy unsettling woman, a troubled child from Omen who dutifully stares blankly and draws eerie picture, and an equally troubled woman who desperately needs redemption. Aside from a couple moments, it gets too predictable which reduces the tension from its great atmosphere.
Story follows a group of children in refuge from war led by two women, the circumstance forces them to spend their time in a decrypted mansion. In time of war and set in particularly unsettling village, the movie has good desolate ambiance. Cinematography brings a crisp grayish look, often dark and grim. In a few scenes such as the overlook of the bog or lingering fog on cemetery, the shot alone sets a good tone for scare.
However, the pace offers little in term of thrill. Sequences are heavily constructed in stiff motion, from flashback, founding of old trinkets and silent traumatic boy Edward, who inexplicably sees some unexplained thing. Characters have little range or depth, in exception of Harry Burnstow (Jeremy Irvine). The protagonist Eve Parkins (Phoebe Fox) is strictly one dimensional. She's too fixated on Edward, despite there are other children who also need her. Their relationship isn't relatable and quite honestly the kid isn't that interesting either.
Her hobbies include splitting from the group and investigating random area by herself. Practically half of the movie is her wandering off, this is not a recommended act when in war, worse if it's something related to unworldly presence. One character stands out amongst the rest, Harry the pilot. Jeremy Irvine does a fine job to portray the role, which isn't that surprising considering his work in War Horse.
The movie still has a few of genuine scary moments, the rest are instigated by poorly made jump scare and shock value from the blaring sound. This feels cheap as it could've utilized the visual more rather than using comfortable honking. The Woman in Black: Angel of Death is a movie cobbled with old elements in different dressing.
Story follows a group of children in refuge from war led by two women, the circumstance forces them to spend their time in a decrypted mansion. In time of war and set in particularly unsettling village, the movie has good desolate ambiance. Cinematography brings a crisp grayish look, often dark and grim. In a few scenes such as the overlook of the bog or lingering fog on cemetery, the shot alone sets a good tone for scare.
However, the pace offers little in term of thrill. Sequences are heavily constructed in stiff motion, from flashback, founding of old trinkets and silent traumatic boy Edward, who inexplicably sees some unexplained thing. Characters have little range or depth, in exception of Harry Burnstow (Jeremy Irvine). The protagonist Eve Parkins (Phoebe Fox) is strictly one dimensional. She's too fixated on Edward, despite there are other children who also need her. Their relationship isn't relatable and quite honestly the kid isn't that interesting either.
Her hobbies include splitting from the group and investigating random area by herself. Practically half of the movie is her wandering off, this is not a recommended act when in war, worse if it's something related to unworldly presence. One character stands out amongst the rest, Harry the pilot. Jeremy Irvine does a fine job to portray the role, which isn't that surprising considering his work in War Horse.
The movie still has a few of genuine scary moments, the rest are instigated by poorly made jump scare and shock value from the blaring sound. This feels cheap as it could've utilized the visual more rather than using comfortable honking. The Woman in Black: Angel of Death is a movie cobbled with old elements in different dressing.